Lives of the most eminent literary and scientific men of France, Vol. 1 (of 2)Shelley, Mary Wollstonecraft
Science
Lives of the most eminent literary and scientific men of France, Vol. 1 (of 2)
Shelley, Mary Wollstonecraft
Authors, French -- Biography
In the interval between "Andromaque" and "Britannicus" his comedy of
"Les Plaideurs" appeared. A sort of lay benefice had been conferred on
him, but he had scarcely obtained it when it was disputed by a priest;
and then began a lawsuit, which, as he says, "neither he nor his judges
understood." Tired out by law proceedings, weary of consulting advocates
and soliciting judges, he abandoned his benefice, consoling himself
meanwhile by writing the comedy of "Les Plaideurs," which was suggested
by it. We have spoken, in the preceding pages, of the suppers where
Racine, Boileau, Molière, and others met; in which they gave full play
to their fancy, and gaiety and wit were the order of the day. At these
suppers the plot of the projected comedy was talked over. One guest
provided him with the proper legal terms. Boileau furnished the idea of
the dispute between Chicaneau and the countess: he had witnessed a
similar scene in the apartments of his brother, a scrivener, between a
well-known lawyer and the countess de Crissé, who had passed her life,
and dissipated her property, in lawsuits. The parliament of Paris,
wearied by her pertinacious litigiousness, forbade her to carry on any
suit without the consent of two advocates, who were named. She was
furious at this sentence; and, after wearying judges, barristers, and
attorneys by her repinings, she visited Boileau's brother, where she met
the person in question. This man, a Paul Pry by inclination, was eager
to advise her: she was at first delighted, till he said something to
annoy her, and they quarrelled violently. This character being
introduced into the comedy, the actress, who took the part, mimicked the
poor countess to the life, even to the wearing a faded pink gown, such
as she usually wore. Many other traits of this comedy were anecdotes
actually in vogue; and the exordium of Intimé, who, when pleading about
a capon, adopted the opening of Cicero's oration, "Pro Quintio,"--"Quæ
res in civitate duæ plurimum possunt, hæ contra nos ambæ faciunt hoc
tempore, summa gratia et eloquentia," had actually been put to use by an
advocate in a petty cause between a baker and a pastrycook.
Public-domain text, read in full here on John Shaqi.
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