Much of Racine's time was spent at court--the king having given him apartments in the castle and his _entrées_. He liked to hear him read. He said Racine had the most agreeable physiognomy of any one at court, and, of course, was pleased to see him about him. He was a great favourite of madame de Maintenon, whom, in return, he admired and respected. There was a good deal of similarity in their characters, and they could sympathise readily with each other. It is well known how, at this lady's request, he unwillingly broke his resolve, and wrote two tragedies, with this extenuation in his eyes, that they were on religious subjects; indeed, he had no pious scruple in writing them; but, keenly sensitive to criticism, he feared to forfeit the fame he had acquired, and that a falling off should appear in these youngest children of his genius. The art of reciting poetry with ease and grace was considered in France a necessary portion of education. Racine was remarkable for the excellence of his delivery. At one time he had been asked to give some instructions in the art of declamation to a young princess; but, when he found that she had been learning portions of his tragedy of "Andromaque," he retired, and begged that he might not again he asked to give similar lessons. In the same way, madame de Brinon, superior of the house of Saint Cyr, was desirous that her pupils should learn to recite; and, not daring to teach them the tragedies of Corneille and Racine, she wrote some very bad pieces herself. Madame de Maintenon was present at the representation of one of these, and, finding it insufferable, she begged that it might not be played again, but that a tragedy of Corneille or Racine should be chosen in which there was least love. "Cinna" was first got up, and afterwards "Andromaque." The latter was so well played that madame de Maintenon found it ill suited for the instruction of young ladies: she wrote to Racine on the subject, saying, "Our little girls have been acting your "Andromaque," and they performed it so well that they shall never act either that or any other of your tragedies again;" and she went onto beg that he would write some sort of moral or historical poem fit for the recitation of young ladies. The request is certainly what we, in vulgar language, should call cool. Racine was annoyed, but he was too good a courtier to disobey--he has had his reward. He feared to decrease his reputation. In this he showed too great diffidence of his genius. The very necessity of not dressing some thrice-told heroic fable in French attire was of use; and we owe "Athalie," the best of all his dramas, to this demi-regal command.