Lives of the most eminent literary and scientific men of France, Vol. 2 (of 2)Shelley, Mary Wollstonecraft
Science
Lives of the most eminent literary and scientific men of France, Vol. 2 (of 2)
Shelley, Mary Wollstonecraft
Authors, French -- Biography
Rousseau, having somewhat recovered his health, returned to his projects
for worldly advancement, and his journeys that carried him hither and
thither in search of it. On one occasion he visited Montpellier for the
sake of consulting a physician; he returned--his hopes of renovated
health gone, his resolve to dedicate himself to his benefactress
strengthened. He returned, to find another in his place--his friend's
heart changed--the paradise he cherished desecrated. He did not the less
resolve to serve her. "Reduced," he writes, "to form a fate for myself
independent of her, and not being able even to imagine such, I sought it
wholly in herself--and I did this so entirely, that I succeeded in
almost forgetting myself. The ardent desire of seeing her happy absorbed
all my affections. In vain did she separate her happiness from mine; I
saw it in hers, in spite of her. Thus the virtues whose seed were in my
soul, and which study had matured, began to germinate with my
misfortunes, and waited but for the operation of adversity to bud
forth." This exalted state of mind, however, could not last. Finding his
rival totally unworthy of his attempts to educate him, and that he was
plunging the unfortunate madame de Warens deeper in inevitable ruin, he
hurried from the scene. The employment of tutor to the children of M. de
Mabli, at Lyons, was offered him; he undertook it; but soon became
disgusted. At a distance, the tranquil happiness of Les Charmettes
recurred to his memory; he began to fancy that he was in fault--that he
had but to return to find love and peace. He did return, and the
illusion was dispelled for ever. For a short time he gave himself up to
study, while he revolved a thousand projects for his future life. Music
was still a favourite pursuit. He had invented a method of noting music
which he considered more facile and perfect than the one in use. He
believed that, if known, it would be generally adopted; and that, if he
took it to Paris and showed it to the professors, they would at once
perceive its advantages, and his fortune would be made. His imagination
speedily warmed with the idea, and he hurried to execute it. "I had
brought," he writes, "some money with me from Lyons; I sold my books to
acquire a sum sufficient for my journey. My design was taken and
executed within the space of fifteen days. In short, full of magnificent
ideas--and ever the same in all times--I left Savoy with my system of
music, as before I had quitted Turin with my toy fountain."
Public-domain text, read in full here on John Shaqi.
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