Lives of the most eminent literary and scientific men of France, Vol. 2 (of 2)Shelley, Mary Wollstonecraft
Science
Lives of the most eminent literary and scientific men of France, Vol. 2 (of 2)
Shelley, Mary Wollstonecraft
Authors, French -- Biography
negotiations with the court, 248.
249. His speech on the question
of the National Convention,
250. His hôtel sumptuously
provided, 251. His _treaty_ with
the court, in the handwriting of
Louis XVIII., 252. He declines
in health, 253. His right to stand
up as a dictator in the assembly
questioned, 254. His policy was
to head a moderate party of royalists,
and to repress the Jacobins,
248. 250. 254. The king and
the people alike anxious for his
recovery, 255. His opinion of
William Pitt, 256. His death,
aged forty-two, in 1791, 256.
He was the first buried in the
Pantheon, 257. Courageous and
warm-hearted, 258. His sayings
and bon-mots are on record, 258.
His style of oratory, 259. His
military talents, 259.
"Misanthrope, Le," of Molière, I.
5.
Molière, Jean Baptiste Poquelin,
considered by Boileau as the first
writer of his day, I. 97. His parentage
respectable, 97. Education
of, 98. Taught by Gassendi,
99. Does the duty of valet-de-chambre
to Louis XIII. for his
father, 100. Studies the law at
Orléans, 101. Private theatricals
with some young friends, 101.
Makes the stage his profession,
101. His company of actors, 102.
Ill success of his "Thebaid" prevents
his writing tragedy, 103.
His early comedies, 103. 105. Performs
in the provinces, 102. 105.
On the restoration of tranquillity
at Paris, his company perform in
presence of Louis XIV. and the
queen-mother, 106. They are
styled "Les Comédiens de Monsieur,"
107. His success in dramatic
satire, 110. His "Ecole des
Maris," 111. 112. Account of
"Les Fâcheux," a satirical farce,
112. Louis XIV. commands Molière
to introduce a sporting character,
113. Anecdotes of the rebuffs
experienced by the dramatist
as royal valet-de-chambre, 114.
Louis protects him, 114. Scandal
relative to Molière refuted, 115, n.
118. His marriage, 116. Not
productive of Felicity, 117. 131.
Writes the "Critique de l'Ecole
des Femmes" in reply to his detractors,
131. His "Impromptu
de Versailles," 131. Louis XIV. is
godfather to Molière's eldest child,
118. Molière performs "Sganarelle,"
119. His "Tartuffe,"
anecdotes as to, 119. 120. Tumult
of soldiers at his theatre,
121. The "Misanthrope," 122.
"Amphitryon," scene from the,
124. "George Dandin," scene
from, 127. "L'Avare," criticised
by Schlegel, 127. Success of "Le
Tartuffe" on its representation,
129. Molière a favourite of Parisian
society, 130. Anecdotes of
his circle of friends, 131. His
house at Auteuil, 131. His portraiture
of himself, 131, n. His
"Monsieur de Pourceaugnac,"
132. "Le Bourgeois Gentilhomme"
approved by Louis XIV.,
133. "Fourberies de Scapin,"
134. "Les Femmes Savantes,"
scene from, 135. His "Malade
Imaginaire," 138. His own malady
unfeigned, 139. Death of
Molière, aged fifty-one, 139. 147.
Mode of his burial because a
player, 140. 141. His generosity,
143. Talent as an actor, 144. Criticism
of his works, 145. 146. Eloge
of, 148. Marriage of his widow,
148.; and of his daughter, 149.
His prediction as to "le bon homme"
La Fontaine, 160. Molière
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