Giotto was buried in S. Maria del Fiore, on the left side as you enter the church, where there is a slab of white marble in memory of so great a man. And, as was told in the Life of Cimabue, a commentator of Dante, who lived at the same time as Giotto, said: "Giotto was and is the most eminent among painters in the same city of Florence, and his works bear testimony for him in Rome, in Naples, in Avignon, in Florence, in Padua, and in many other parts of the world." His disciples were Taddeo Gaddi, held by him at baptism, as has been said, and Puccio Capanna of Florence, who, working at Rimini in the Church of S. Cataldo, belonging to the Preaching Friars, painted perfectly in fresco the hull of a ship which appears to be sinking in the sea, with men who are throwing things into the sea, one of whom is Puccio himself portrayed from life among a good number of mariners. The same man painted many works after the death of Giotto in the Church of S. Francesco at Assisi, and in the Church of S. Trinita in Florence, near the side-door towards the river, he painted the Chapel of the Strozzi, wherein is the Coronation of the Madonna in fresco, with a choir of angels which draw very much to the manner of Giotto; and on the sides are stories of S. Lucia, very well wrought. In the Badia of Florence he painted the Chapel of S. Giovanni Evangelista, belonging to the family of Covoni, beside the sacristry; and in Pistoia he wrought in fresco the principal chapel of the Church of S. Francesco and the Chapel of S. Lodovico, with the stories of those Saints, passing well painted. In the middle of the Church of S. Domenico, in the same city, there are a Crucifix, a Madonna, and a S. John, wrought with much sweetness, and at their feet a complete human skeleton, wherein (and this was something unusual in those times) Puccio showed that he had sought to find the foundations of art. In this work there is read his name, written by himself in this fashion: PUCCIO DI FIORENZA ME FECE. In the arch over the door of S. Maria Nuova in the said church there are three half-length figures by his hand, Our Lady with the Child in her arms, and S. Peter on one side, and on the other S. Francis. He also painted in the aforesaid city of Assisi, in the lower Church of S. Francesco, some scenes of the Passion of Jesus Christ in fresco, with good and very resolute mastery, and in the chapel of the Church of S. Maria degli Angeli he wrought in fresco a Christ in Glory, with the Virgin praying to Him for the Christian people; this work, which is passing good, has been all blackened by the smoke of the lamps and the candles that are burning there continually in great quantity. And in truth, in so far as it can be judged, Puccio had the manner and the whole method of working of his master Giotto, and knew how to make good use of it in the works that he wrought, even if, as some have it, he did not live long, having fallen sick and died by reason of labouring too much in fresco. By his