Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10): Cimabue to Agnolo GaddiVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10): Cimabue to Agnolo Gaddi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
There lived about the same time as Stefano a man of passing good repute,
Ugolino, painter of Siena, very much his friend, who painted many panels
and chapels throughout all Italy, although he held ever in great part to
the Greek manner, as one who, grown old therein, had wished by reason of
a certain obstinacy in himself to hold rather to the manner of Cimabue
than to that of Giotto, which was so greatly revered. By the hand of
Ugolino, then, is the panel of the high-altar of S. Croce, on a ground
all of gold, and also a panel which stood many years on the high-altar
of S. Maria Novella and is to-day in the Chapter-house, where the
Spanish nation every year holds most solemn festival on the day of S.
James, with other offices and funeral ceremonies of its own. Besides
these, he wrought many other works with good skill, without departing,
however, from the manner of his master. The same man made, on a
brick-pier in the Loggia that Lapo had built on the Piazza
d'Orsanmichele, that Madonna which worked so many miracles, not many
years later, that the Loggia was for a long time full of images, and is
still held in the greatest veneration. Finally, in the Chapel of Messer
Ridolfo de' Bardi, which is in S. Croce, where Giotto painted the life
of S. Francis, he painted a Crucifix in distemper on the altar-panel,
with a Magdalene and a S. John weeping, and two friars, one on either
side. Ugolino passed away from this life, being old, in the year 1349,
and was buried with honour in Siena, his native city.
But returning to Stefano, of whom they say that he was also a good
architect, which is proved by what has been said above, he died, so it
is said, in the year when there began the jubilee, 1350, at the age of
forty-nine, and was laid to rest in the tomb of his fathers, in S.
Spirito, with this epitaph:
STEPHANO FLORENTINO PICTORI, FACIUNDIS IMAGINIBUS AC COLORANDIS
FIGURIS NULLI UNQUAM INFERIORI, AFFINES MOESTISS. POS. VIX. AN.
XXXXIX.
FOOTNOTES:
[Footnote 14: See note on p. 57.]
PIETRO LAURATI
[Illustration: _Alinari_
THE MADONNA ENTHRONED
(_After the polyptych_ by Pietro Laurati [Lorenzetti]. _Arezzo: S. Maria
della Pieve_)]
LIFE OF PIETRO LAURATI
[_PIETRO LORENZETTI_],
PAINTER OF SIENA
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