Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10): Cimabue to Agnolo GaddiVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10): Cimabue to Agnolo Gaddi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
These sonnets, in truth, together with the mention made of him in one of
his _Familiar Letters_, in the fifth book, which begins: "Non sum
nescius," have given more fame to the poor life of Maestro Simone than
all his own works have ever done or ever will, seeing that they must at
some time perish, whereas the writings of so great a man will live for
eternal ages. Simone Memmi of Siena, then, was an excellent painter,
remarkable in his own times and much esteemed at the Court of the Pope,
for the reason that after the death of Giotto his master, whom he had
followed to Rome when he made the Navicella in mosaic and the other
works, he made a Virgin Mary in the portico of S. Pietro, with a S.
Peter and a S. Paul, near to the place where the bronze pine-cone is, on
a wall between the arches of the portico on the outer side; and in this
he counterfeited the manner of Giotto very well, receiving so much
praise, above all because he portrayed therein a sacristan of S. Pietro
lighting some lamps before the said figures with much promptness, that
he was summoned with very great insistence to the Court of the Pope at
Avignon, where he wrought so many pictures, in fresco and on panels,
that he made his works correspond to the reputation that had been borne
thither. Whence, having returned to Siena in great credit and much
favoured on this account, he was commissioned by the Signoria to paint
in fresco, in a hall of their Palace, a Virgin Mary with many figures
round her, which he completed with all perfection to his own great
credit and advantage. And in order to show that he was no less able to
work on panel than in fresco, he painted in the said Palace a panel
which led to his being afterwards made to paint two of them in the
Duomo, and a Madonna with the Child in her arms, in a very beautiful
attitude, over the door of the Office of the Works of the said Duomo. In
this picture certain angels, supporting a standard in the air, are
flying and looking down on to some saints who are round the Madonna, and
they make a very beautiful composition and great adornment.
[Illustration: SIMONE MARTINI: KNIGHTING OF S. MARTIN
(_Assisi: Lower Church of S. Francesco, Chapel of S. Martin. Fresco_)]
Public-domain text, read in full here on John Shaqi.
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