Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10): Cimabue to Agnolo GaddiVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10): Cimabue to Agnolo Gaddi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
About the same time there was founded the Order of the Friars Minor of
S. Francis, which was confirmed by the said Innocent III, Pontiff, in
the year 1206; and there came such growth, not only in Italy but in all
the other parts of the world, both to the devoutness and to the number
of the Friars, that there was scarce a city of account that did not
erect for them churches and convents of the greatest cost, each
according to its power. Wherefore, Frate Elia having erected, two years
before the death of S. Francis (while the Saint himself, as General, was
abroad preaching, and he, Prior in Assisi), a church with the title of
Our Lady, and S. Francis having died, and all Christendom flocking
together to visit the body of the Saint, who, in life and in death, had
been known as so much the friend of God, and every man making offering
to the holy place according to his power, it was ordained that the said
church begun by Frate Elia should be built much greater and more
magnificent. But there being a dearth of good architects, and the work
which was to be done having need of an excellent one, seeing that it had
to be built upon a very high hill at the foot of which there runs a
torrent called Tescio, there was brought to Assisi, after much
consideration, as the best of all that were then to be found, one
Maestro Jacopo Tedesco. He, having considered the site and grasped the
wishes of the fathers, who held thereunto a general Chapter in Assisi,
designed a very beautiful body of a church and convent, making in the
model three tiers, one to be made underground and the others for two
churches, one of which, on the lower level, should serve as a court,
with a fairly large portico round it, and the other for a church;
planning that from the first one should climb to the second by a most
convenient flight of steps, which should wind round the principal
chapel, opening out into two parts in order to lead more easily into the
second church, to which he gave the form of a [Symbol: T], making it
five times as long as it is broad and dividing one bay from another with
great piers of stone, on which he afterwards threw very bold arches,
with groined vaulting between one and another. From a model so made,
then, was built this truly very great edifice, and it was followed in
every part, save in the buttresses above that had to surround the apse
and the principal chapel, and in making the vaulting groined, because
they did not make it as has been said, but barrel-shaped, in order that
it might be stronger. Next, in front of the principal chapel of the
lower church, they placed the altar, and under that, when it was
finished, they laid, with most solemn translation, the body of S.
Francis. And because the true sepulchre which holds the body of the
glorious Saint is in the first--that is, in the lowest church--where no
one ever goes, and the doors are walled up, round the said altar there
are very large gratings of iron, with rich ornaments in marble and
Public-domain text, read in full here on John Shaqi.
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