Niccola, pondering over the beauty of this work and being greatly pleased therewith, put so much study and diligence into imitating this manner and some other good sculptures that were in these other ancient sarcophagi, that he was judged, after no long time, the best sculptor of his day; there being in Tuscany in those times, after Arnolfo, no other sculptor of repute save Fuccio, an architect and sculptor of Florence, who made S. Maria sopra Arno in Florence, in the year 1229, placing his name there, over a door, and in the Church of S. Francesco in Assisi he made the marble tomb of the Queen of Cyprus, with many figures, and in particular a portrait of her sitting on a lion, in order to show the strength of her soul; which Queen, after her death, left a great sum of money to the end that this fabric might be finished. Niccola, then, having made himself known as a much better master than was Fuccio, was summoned to Bologna in the year 1225, after the death of S. Domenico Calagora, first founder of the Order of Preaching Friars, in order to make a marble tomb for the said Saint; wherefore, after agreement with those who had the charge of it, he made it full of figures in that manner wherein it is to be seen to-day, and delivered it finished in the year 1231 with much credit to himself, for it was held something remarkable, and the best of all the works that had been wrought in sculpture up to that time. He made, likewise, the model of that church and of a great part of the convent. Afterwards Niccola, returning to Tuscany, found that Fuccio had departed from Florence and had gone to Rome in those days when the Emperor Frederick was crowned by Honorius, and from Rome with Frederick to Naples, where he finished the Castel di Capoana, to-day called the Vicaria, wherein are all the tribunals of that kingdom, and likewise the Castel dell' Uovo; and where he likewise founded the towers he also made the gates over the River Volturno for the city of Capua, and a park girt with walls, for fowling, near Gravina, and another for sport in winter at Melfi; besides many other things that are not related, for the sake of brevity. Niccola, meanwhile, busying himself in Florence, was going on exercising himself not only in sculpture but in architecture as well, by means of the buildings that were going on being made with some little goodness of design throughout all Italy, and in particular in Tuscany; wherefore he occupied himself not a little with the building of the Abbey of Settimo, which had not been finished by the executors of Count Ugo of Brandenburg, like the other six, as was said above. And although it is read in a marble epitaph on the campanile of the said abbey, GUGLIELM. ME FECIT, it is known, nevertheless, by the manner, that it was directed with the counsel of Niccola. About the same time he made the Palazzo Vecchio of the Anziani in Pisa, pulled down in our day by Duke Cosimo,