Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10): Cimabue to Agnolo GaddiVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10): Cimabue to Agnolo Gaddi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
In the year 1300, Niccola da Prato, Cardinal Legate of the Pope, being
in Florence in order to accommodate the dissensions of the Florentines,
caused him to make a convent for nuns in Prato, which is called S.
Niccola from his name, and to restore in the same territory the Convent
of S. Domenico, and so too that of Pistoia; in both the one and the
other of which there are still seen the arms of the said Cardinal. And
because the people of Pistoia held in veneration the name of Niccola,
father of Giovanni, by reason of that which he had wrought in that city
with his talent, they caused Giovanni himself to make a pulpit of marble
for the Church of S. Andrea, like to the one which he had made in the
Duomo of Siena; and this he did in order to compete with one which had
been made a little before in the Church of S. Giovanni Evangelista by a
German, who was therefore much praised. Giovanni, then, delivered his
finished in four years, having divided this work into five scenes from
the life of Jesus Christ, and having made therein, besides this, a
Universal Judgment, with the greatest diligence that he knew, in order
to equal or perchance to surpass the one of Orvieto, then so greatly
renowned. And round the said pulpit, on the architrave, over some
columns that support it, thinking (as was the truth, according to the
knowledge of that age) that he had done a great and beautiful work, he
carved these verses:
HOC OPUS SCULPSIT JOANNES, QUI RES NON EGIT INANES,
NICOLI NATUS ...... MELIORA BEATUS,
QUEM GENUIT PISA, DOCTUM SUPER OMNIA VISA.
At the same time Giovanni made the holy-water font, in marble, of the
Church of S. Giovanni Evangelista in the same city, with three figures
that support it--Temperance, Prudence, and Justice; which work, by
reason of its having then been held very beautiful, was placed in the
centre of that church as something remarkable. And before he departed
from Pistoia, although the work had not up to then been begun, he made
the model of the Campanile of S. Jacopo, the principal church of that
city; on which campanile, which is on the square of the said S. Jacopo
and beside the church, there is this date: A.D. 1301.
[Illustration: _Alinari_
THE MASSACRE OF THE INNOCENTS
(_Detail, after_ Giovanni Pisano, _from the Pulpit of the Church of S.
Andrea, Pistoia_)]
Public-domain text, read in full here on John Shaqi.
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