Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10): Berna to Michelozzo MichelozziVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10): Berna to Michelozzo Michelozzi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
The Consuls remained in the Audience Chamber all confused, both by the
difficult methods of the original masters and by this last method of
Filippo's, which they thought absurd, for it appeared to them that he
would ruin the work in two ways: first, by making the vaulting double,
which would have made it enormous and unwieldy in weight; and secondly,
by making it without a framework. On the other hand, Filippo, who had
spent so many years in study in order to obtain the commission, knew not
what to do and was often tempted to leave Florence. However, wishing to
prevail, he was forced to arm himself with patience, having insight
enough to know that the brains of the men of that city did not abide
very firmly by any one resolution. Filippo could have shown a little
model that he had in his possession, but he did not wish to show it,
having recognized the small intelligence of the Consuls, the envy of the
craftsmen, and the instability of the citizens, who favoured now one and
now another, according as it pleased each man best; and I do not marvel
at this, since every man in that city professes to know as much in these
matters as the experienced masters know, although those who truly
understand them are but few; and let this be said without offence to
those who have the knowledge. What Filippo, therefore, had not been able
to achieve before the tribunal, he began to effect with individuals,
talking now to a Consul, now to a Warden, and likewise to many citizens;
and showing them part of his design, he induced them to determine to
allot this work either to him or to one of the foreigners. Wherefore the
Consuls, the Wardens of Works, and those citizens, regaining courage,
assembled together, and the architects disputed concerning this matter,
but all were overcome and conquered by Filippo with many arguments; and
here, so it is said, there arose the dispute about the egg, in the
following manner. They would have liked Filippo to speak his mind in
detail, and to show his model, as they had shown theirs; but this he
refused to do, proposing instead to those masters, both the foreign and
the native, that whosoever could make an egg stand upright on a flat
piece of marble should build the cupola, since thus each man's intellect
would be discerned. Taking an egg, therefore, all those masters sought
to make it stand upright, but not one could find the way. Whereupon
Filippo, being told to make it stand, took it graciously, and, giving
one end of it a blow on the flat piece of marble, made it stand upright.
The craftsmen protested that they could have done the same; but Filippo
answered, laughing, that they could also have raised the cupola, if they
had seen the model or the design. And so it was resolved that he should
be commissioned to carry out this work, and he was told that he must
give fuller information about it to the Consuls and the Wardens of
Works.
Public-domain text, read in full here on John Shaqi.
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