Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10): Berna to Michelozzo MichelozziVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10): Berna to Michelozzo Michelozzi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
which many had previously conceived, for the builders stood on them,
working and drawing up weights, as securely as if they had been on the
surface of the ground; and the models of the said scaffoldings were
preserved in the Office of Works. Lorenzo had the chain of ties made on
one of the eight sides with the greatest difficulty; and when it was
finished, the Wardens caused Filippo to look at it. To them he said
nothing, but he discoursed thereon with some of his friends, saying that
it was necessary to have some form of fastening different from that one,
and to apply it in a better manner than had been done, and that it was
not strong enough to withstand the weight that was to be laid above, for
it did not bind the masonry together firmly enough; adding that the
supplies given to Lorenzo, as well as the chain that he had caused to be
made, had been simply thrown away. The opinion of Filippo became known,
and he was charged to show what was the best way of making such a
chain. Whereupon, having already made designs and models, he immediately
showed them, and when they had been seen by the Wardens and the other
masters, it was recognized into what great error they had fallen by
favouring Lorenzo; and wishing to atone for this error and to show that
they knew what was good, they made Filippo overseer and superintendent
of the whole fabric for life, saying that nothing should be done in that
work without his command. And as a proof of approbation they gave him
one hundred florins, decreed by the Consuls and Wardens under date of
August 13, 1423, by the hand of Lorenzo Paoli, notary to the Office of
Works, and under the name of Gherardo di Messer Filippo Corsini; and
they voted him an allowance of one hundred florins a year as a provision
for life. Wherefore, giving orders for the building to be pushed on, he
pursued it with such scrupulous care and so great attention, that not a
stone could be put into place without his having wished to see it.
Lorenzo, on the other hand, finding himself vanquished, and, as it were,
put to shame, was favoured and assisted by his friends so powerfully
that he went on drawing his salary, claiming that he could not be
dismissed until three years had passed.
[Illustration: THE DOME OF THE CATHEDRAL
(_After_ Filippo Brunelleschi. _Florence_)
_Alinari_]
Filippo was for ever making, on the slightest occasion, designs and
models of stages for the builders and of machines for lifting weights.
But this did not prevent certain malicious persons, friends of Lorenzo,
from putting Filippo into despair by spending their whole time in making
models in opposition to his, insomuch that some were made by one Maestro
Antonio da Verzelli and other favoured masters, and were brought into
notice now by one citizen and now by another, demonstrating their
inconstancy, their little knowledge, and their even smaller
understanding, since, having perfection in their grasp, they brought
forward the imperfect and the useless.
Public-domain text, read in full here on John Shaqi.
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