Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10): Berna to Michelozzo MichelozziVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10): Berna to Michelozzo Michelozzi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
In the guardaroba of Signor Guidobaldo, Duke of Urbino, there is a very
beautiful head of marble by the hand of the same man, and it is believed
that it was given to the ancestors of the said Duke by the Magnificent
Giuliano de' Medici, at the time when he was staying at that Court,
which was full of most cultured gentlemen. In short, the talent of
Donato was such, and he was so admirable in all his actions, that he may
be said to have been one of the first to give light, by his practice,
judgment, and knowledge, to the art of sculpture and of good design
among the moderns; and he deserves all the more commendation, because in
his day, apart from the columns, sarcophagi, and triumphal arches, there
were no antiquities revealed above the earth. And it was through him,
chiefly, that there arose in Cosimo de' Medici the desire to introduce
into Florence the antiquities that were and are in the house of the
Medici; all of which he restored with his own hand. He was most liberal,
gracious, and courteous, and more careful for his friends than for
himself; nor did he give thought to money, but kept his in a basket
suspended by a cord from the ceiling, wherefore all his workmen and
friends could take what they needed without saying a word to him. He
passed his old age most joyously, and, having become decrepit, he had to
be succoured by Cosimo and by others of his friends, being no longer
able to work. It is said that Cosimo, being at the point of death,
recommended him to the care of his son Piero, who, as a most diligent
executor of his father's wishes, gave him a farm at Cafaggiuolo, which
produced enough to enable him to live in comfort. At this Donato made
great rejoicing, thinking that he was thus more than secure from the
danger of dying of hunger; but he had not held it a year before he
returned to Piero and gave it back to him by public contract, declaring
that he refused to lose his peace of mind by having to think of
household cares and listen to the importunity of the peasant, who kept
pestering him every third day--now because the wind had unroofed his
dovecote, now because his cattle had been seized by the Commune for
taxes, and now because a storm had robbed him of his wine and his fruit.
He was so weary and disgusted with all this, that he would rather die of
hunger than have to think of so many things. Piero laughed at the
simplicity of Donato; and in order to deliver him from this torment, he
accepted the farm (for on this Donato insisted), and assigned him an
allowance of the same value or more from his own bank, to be paid in
cash, which was handed over to him every week in the due proportion
owing to him; whereby he was greatly contented. Thus, as a servant and
friend of the house of Medici, he lived happily and free from care for
the rest of his life. When he had reached the age of eighty-three,
however, he was so palsied that he could no longer work in any fashion,
Public-domain text, read in full here on John Shaqi.
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