Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10): Berna to Michelozzo MichelozziVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10): Berna to Michelozzo Michelozzi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
It is said that having been commissioned to paint, over the door of S.
Tommaso in the Mercato Vecchio, that Saint feeling for the wound in the
side of Christ, Paolo put into that work all the effort that he could,
saying that he wished to show therein the full extent of his worth and
knowledge; and so he caused a screen of planks to be made, to the end
that no one might be able to see his work until it was finished.
Wherefore Donato, meeting him one day all alone, said to him: "And what
sort of work may this be of thine, that thou keepest it screened so
closely?" And Paolo said in answer: "Thou shalt see it. Let that suffice
thee." Donato would not constrain him to say more, thinking to see some
miracle, as usual, when the time came. Afterwards, chancing one morning
to be in the Mercato Vecchio buying fruit, Donato saw Paolo uncovering
his work, whereupon he saluted him courteously, and was asked by Paolo
himself, who was curious and anxious to hear his judgment on it, what he
thought of that picture. Donato, having studied the work long and well,
exclaimed: "Ah, Paolo, thou oughtest to be covering it up, and here thou
art uncovering it!" Whereupon Paolo was much aggrieved, feeling that he
was receiving much more by way of blame than he expected to receive by
way of praise for this last labour of his; and not having courage,
lowered as he was, to go out any more, he shut himself up in his house,
devoting himself to perspective, which kept him ever poor and depressed
up to his death. And so, growing very old, and having but little
contentment in his old age, he died in the eighty-third year of his
life, in 1432, and was buried in S. Maria Novella.
He left a daughter, who had knowledge of drawing, and a wife, who was
wont to say that Paolo would stay in his study all night, seeking to
solve the problems of perspective, and that when she called him to come
to bed, he would say: "Oh, what a sweet thing is this perspective!" And
in truth, if it was sweet to him, it was not otherwise than dear and
useful, thanks to him, to those who exercised themselves therein after
his time.
LORENZO GHIBERTI
LIFE OF LORENZO GHIBERTI
[_LORENZO DI CIONE GHIBERTI OR LORENZO DI BARTOLUCCIO GHIBERTI_]
PAINTER OF FLORENCE
Public-domain text, read in full here on John Shaqi.
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