Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to MantegnaVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to Mantegna
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
He is said to have been so accurate in draughtsmanship, that, when
making drawings of the antiquities of Rome, such as arches, baths,
columns, colossea, obelisks, amphitheatres, and aqueducts, he would work
with the eye alone, without rule, compasses, or measurements; and after
he had made them, on being measured, they were found absolutely correct,
as if he had used measurements. He drew the Colosseum by the eye,
placing at the foot of it a figure standing upright, from the
proportions of which the whole edifice could be measured; this was tried
by some masters after his death, and found quite correct.
Over a door of the cemetery of S. Maria Nuova he painted a S. Michael in
fresco, clad in armour which reflects the light most beautifully--a
thing seldom done before his day. At the Abbey of Passignano, a seat of
the Monks of Vallombrosa, he wrought certain works in company with his
brother David and Bastiano da San Gimignano. Here the two others,
finding themselves poorly fed by the monks before the arrival of
Domenico, complained to the Abbot, praying him to have them better
served, since it was not right that they should be treated like
bricklayers' labourers. This the Abbot promised to do, saying in excuse
that it was due more to the ignorance of the monks who looked after
strangers than to malice. Domenico arrived, but everything continued
just the same; whereupon David, seeking out the Abbot once again,
declared with due apologies that he was not doing this for his own sake
but on account of the merits and talents of his brother. But the Abbot,
like the ignorant man that he was, made no other answer. That evening,
then, when they had sat down to supper, up came the stranger's steward
with a board covered with bowls and messes only fit for a hangman,
exactly the same as before. Thereupon David, flying into a rage, upset
the soup over the friar, and, seizing the loaf that was on the table,
fell upon him with it and belaboured him in such a manner that he was
carried away to his cell more dead than alive. The Abbot, who was
already in bed, got up and ran to the noise, believing that the
monastery was tumbling down; and finding the friar in a sorry plight, he
began to upbraid David. Enraged by this, David bade him be gone out of
his sight, saying that the talent of Domenico was worth more than all
the pigs of Abbots like him that had ever lived in that monastery.
Whereupon the Abbot, seeing himself in the wrong, did his utmost from
that time onwards to treat them like the important men that they were.
Public-domain text, read in full here on John Shaqi.
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