A pupil of his, who lived with him in order to learn, was Bastiano Mainardi da San Gimignano, who became a very able master of his manner in fresco; wherefore he went with Domenico to San Gimignano, where they painted in company the Chapel of S. Fina, which is a beautiful work. Now the faithful and willing service of Bastiano, who acquitted himself very well, induced Domenico to judge him worthy to have a sister of his own for wife; and so their friendship was changed into relationship--a proof of liberality worthy of a loving master, who was pleased to reward the proficiency that his disciple had acquired by labouring at his art. Domenico caused the said Bastiano to paint a Madonna ascending into Heaven in the Chapel of the Baroncelli and Bandini in S. Croce (although he made the cartoon himself), with S. Thomas below receiving the Girdle--a beautiful work in fresco. In Siena, in an apartment of the Palace of the Spannocchi, Domenico and Bastiano together painted many scenes in distemper, with little figures; and in Pisa, in addition to the aforesaid recess in the Duomo, they filled the whole arch of that chapel with angels, besides painting the folding doors that close the organ, and beginning to overlay the ceiling with gold. Afterwards, just when Domenico was about to put his hand to some very great works both in Pisa and in Siena, he fell sick of a most grievous putrid fever, which cut short his life in five days. As he lay ill, the Tornabuoni sent him a hundred ducats of gold as a gift, proving their regard and particular friendship for Domenico in return for his unceasing labours in the service of Giovanni and of his house. Domenico lived forty-four years, and he was buried with beautiful obsequies in S. Maria Novella by his brothers David and Benedetto and his son Ridolfo, amid much weeping and sorrowful regrets. The loss of so great a man was a great grief to his friends; and many excellent foreign painters, hearing that he was dead, wrote to his relatives lamenting his most untimely death. The disciples that he left were David and Benedetto Ghirlandajo, Bastiano Mainardi da San Gimignano, the Florentine Michelagnolo Buonarroti, Francesco Granaccio, Niccolo Cieco, Jacopo del Tedesco, Jacopo dell' Indaco, Baldino Baldinelli, and other masters, all Florentines. He died in 1495. [Illustration: THE MADONNA GIVING THE GIRDLE TO S. THOMAS (_After the panel by =Bastiano Mainardi=. Florence: S. Croce_) _Brogi_] Domenico enriched the art of painting by working in mosaic with a manner more modern than was shown by any of the innumerable Tuscans who essayed it, as is proved by the works that he wrought, few though they may be. Wherefore he has deserved to be held in honour and esteem for such rich and undying benefits to art, and to be celebrated with extraordinary praises after his death. FOOTNOTES: [23] Garlands. [24] See note on p. 57, Vol. I. [25] See note on p. 57, Vol. I. ANTONIO AND PIERO POLLAIUOLO