Benedetto da Maiano, a sculptor of Florence, who was in his earliest years a wood-carver, was held the most able master of all who were then handling the tools of that profession; and he was particularly excellent as a craftsman in that form of work which, as has been said elsewhere, was introduced at the time of Filippo Brunelleschi and Paolo Uccello--namely, the inlaying of pieces of wood tinted with various colours, in order to make views in perspective, foliage, and many other diverse things of fancy. In this craft, then, Benedetto da Maiano was in his youth the best master that there was to be found, as is clearly demonstrated by many works of his that are to be seen in various parts of Florence, particularly by all the presses in the Sacristy of S. Maria del Fiore, the greater part of which he finished after the death of his uncle Giuliano; these are full of figures executed in inlaid work, foliage, and other devices, all wrought with great expense and craftsmanship. Having gained a very great name through the novelty of this art, he made many works, which were sent to diverse places and to various Princes; and among others King Alfonso of Naples had the furniture for a study, made under the direction of Giuliano, uncle of Benedetto, who was serving that King as architect. Benedetto himself went to join him there; but, being displeased with the position, he returned to Florence, where, no long time after, he made for Matthias Corvinus, King of Hungary, who had many Florentines in his Court and took delight in all rare works, a pair of coffers inlaid in wood with difficult and most beautiful craftsmanship. He then determined, being invited with great favour by that King, to consent to go thither at all costs; and so, having packed up his coffers and embarked with them on board ship, he set off for Hungary. There, after doing obeisance to that King, by whom he was received most graciously, he sent for the said coffers and had them unpacked in the presence of the monarch, who was very eager to see them; whereupon he saw that the damp from the water and the exhalations from the sea had so softened the glue, that, on the opening of the waxed cloths, almost all the pieces which had been attached to the coffers fell to the ground. Whether Benedetto, therefore, in the presence of so many nobles, stood in dumb amazement, everyone may judge for himself. However, putting the work together as well as he was able, he contrived to leave the King well enough satisfied; but in spite of this he took an aversion to that craft and could no longer endure it, through the shame that it had brought upon him.