Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to MantegnaVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to Mantegna
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
About the same time, during the pontificate of Pope Sixtus IV, there
lived in Rome one Baccio Pintelli, a Florentine, who was rewarded for
the great skill that he had in architecture by being employed by that
Pope in all his building enterprises. With his design, then, were built
the Church and Convent of S. Maria del Popolo, and certain highly ornate
chapels therein, particularly that of Domenico della Rovere, Cardinal of
San Clemente and nephew of that Pope. The same Pontiff erected a palace
in Borgo Vecchio after the design of Baccio, which was then held to be a
very beautiful and well-planned edifice. The same master built the Great
Library under the apartments of Niccola, and that chapel in the Palace
that is called the Sistine, which is adorned with beautiful paintings.
He also rebuilt the structure of the new Hospital of S. Spirito in
Sassia (which was burnt down almost to the foundations in the year
1471), adding to it a very long loggia and all the useful conveniences
that could be desired. Within the hospital, along its whole length, he
caused scenes to be painted from the life of Pope Sixtus, from his birth
up to the completion of that building--nay, up to the end of his life.
He also made the bridge that is called the Ponte Sisto, from the name of
that Pontiff; this was held to be an excellent work, because Baccio
built it with such stout piers and with the weight so well distributed,
that it is very strong and very well founded. In the year of the Jubilee
of 1475, likewise, he built many new little churches throughout Rome,
which are recognized by the arms of Pope Sixtus--in particular, S.
Apostolo, S. Pietro in Vincula, and S. Sisto. For Cardinal Guglielmo,
Bishop of Ostia, he made the model of his church, with that of the
facade and of the steps, in the manner wherein they are seen to-day.
Many declare that the design of the Church of S. Pietro a Montorio in
Rome was by the hand of Baccio, but I cannot say with truth that I have
found this to be so. This church was built at the expense of the King
of Portugal, almost at the same time that the Spanish nation had the
Church of S. Jacopo erected in Rome.
Public-domain text, read in full here on John Shaqi.
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