Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to MantegnaVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to Mantegna
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
This man, having been born at a small village called Castagno in
Mugello, in the territory of Florence, took that name as his own
surname when he came to live in Florence, which came about in the
following manner. Having been left without a father in his earliest
childhood, he was adopted by an uncle, who employed him for many years
in watching his herds, since he saw him to be very ready and alert, and
so masterful, that he could look after not only his cattle but the
pastures and everything else that touched his own interest. Now, while
he was following this calling, it came to pass one day that he chanced
to seek shelter from the rain in a place wherein one of those local
painters, who work for small prices, was painting a shrine for a
peasant. Whereupon Andrea, who had never seen anything of the kind
before, was seized by a sudden marvel and began to look most intently at
the work and to study its manner; and there came to him on the spot a
very great desire and so violent a love for that art, that without
losing time he began to scratch drawings of animals and figures on walls
and stones with pieces of charcoal or with the point of his knife, in so
masterly a manner that it caused no small marvel to all who saw them.
The fame of this new study of Andrea's then began to spread among the
peasants; whereupon, as his good-fortune would have it, the matter
coming to the ears of a Florentine gentleman named Bernardetto de'
Medici, whose possessions were in that district, he expressed a wish to
know the boy; and finally, having seen him and having heard him
discourse with great readiness, he asked him whether he would like to
learn the art of painting. Andrea answered that nothing could happen to
him that would be more welcome or more pleasing than this, and
Bernardetto took the boy with him to Florence, to the end that he might
become perfect in that art, and set him to work with one of those
masters who were then esteemed the best.
[Illustration: THE LAST SUPPER
(_After the fresco by =Andrea dal Castagno=. Florence: S. Apollonia_)
_Alinari_]
Public-domain text, read in full here on John Shaqi.
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