Of this man, some say that he came from Settignano, a place two miles distant from Florence, while certain others hold him to be a Florentine; but this matters nothing, the distance between the one place and the other being so small. He was an imitator of the manner of Donato, although he had a natural gift of imparting very great grace and loveliness to his heads; and in the expressions of his women and children there is seen a delicate, sweet, and charming manner, produced as much by nature, which had inclined him to this, as by the zeal with which he had practised his intelligence in the art. In his youth he wrought the base of Donato's David, which is in the Duke's Palace in Florence, making on it in marble certain very beautiful harpies, and some vine-tendrils in bronze, very graceful and well conceived. On the facade of the house of the Gianfigliazzi he made a large and very beautiful coat of arms, with a lion; besides other works in stone, which are in the same city. For the Chapel of the Brancacci in the Carmine he made an angel of wood; and he finished with marble the Chapel of the Sacrament in S. Lorenzo, carrying it to complete perfection with much diligence. There was in it a child of marble in the round, which was removed and is now set up on the altar at the festivals of the Nativity of Christ, as an admirable work; and in place of this Baccio da Montelupo made another, also of marble, which stands permanently over the Tabernacle of the Sacrament. In S. Maria Novella he made a marble tomb for the Blessed Villana, with certain graceful little angels, and portrayed her there from nature in such a manner that she appears not dead but asleep; and for the Nuns of the Murate he wrought a little Madonna with a lovely and graceful manner, in a tabernacle standing on a column; insomuch that both these works are very highly esteemed and very greatly prized. In S. Pietro Maggiore, also, he made the Tabernacle of the Sacrament in marble with his usual diligence; and although there are no figures in this work, yet it shows a beautiful manner and infinite grace, like his other works. And he portrayed from the life, likewise in marble, the head of Marietta degli Strozzi, who was so beautiful that the work turned out very excellent.