Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to MantegnaVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to Mantegna
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
judgment to be superior to nature, that he practised and studied it
alone, abandoning natural objects and thinking them useless; wherefore
he had more grace than solid grounding in his art.
It was on the hill of Fiesole, a very ancient city near Florence, that
there was born the sculptor Mino di Giovanni, who, having been
apprenticed to the craft of stone-cutting under Desiderio da Settignano,
a young man excellent in sculpture, showed so much inclination to his
master's art, that, while he was labouring at the hewing of stones, he
learnt to copy in clay the works that Desiderio had made in marble; and
this he did so well that his master, seeing that he was likely to make
progress in that art, brought him forward and set him to work on his own
figures in marble, in which he sought with very great attention to
reproduce the model before him. Nor did he continue long at this before
he became passing skilful in that calling; at which Desiderio was
greatly pleased, and still more pleased was Mino by the loving-kindness
of his master, seeing that Desiderio was ever ready to teach him how to
avoid the errors that can be committed in that art. Now, while he was on
the way to becoming excellent in his profession, his ill luck would have
it that Desiderio should pass to a better life, and this loss was a very
great blow to Mino, who departed from Florence, almost in despair, and
went to Rome. There, assisting masters who were then executing works in
marble, such as tombs of Cardinals, which were placed in S. Pietro,
although they have since been thrown to the ground in the building of
the new church, he became known as a very experienced and capable
master; and he was commissioned by Cardinal Guglielmo Destovilla, who
was pleased with his manner, to make the marble altar where lies the
body of S. Jerome, in the Church of S. Maria Maggiore, together with
scenes in low-relief from his life, which he executed to perfection,
with a portrait of that Cardinal.
[Illustration: TOMB OF MARGRAVE HUGO
(_After =Mino da Fiesole=. Florence: Badia_)
_Alinari_]
Public-domain text, read in full here on John Shaqi.
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