Lives of the Most Eminent Painters Sculptors and Architects, Vol. 04 (of 10): Filippino Lippi to Domenico PuligoVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 04 (of 10): Filippino Lippi to Domenico Puligo
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Meanwhile they received news that the palace at Savona was already
nearly finished; whereupon the Cardinal determined that Giuliano
should once more see the work, and Giuliano, having gone for this
purpose to Savona, had not been there long when it was completely
finished. Then, desiring to return to Florence, where he had not
been for a long time, Giuliano took the road for that city together
with his master-builders. Now at that time the King of France had
restored Pisa her liberty, and the war between the Florentines and
the Pisans was still raging; and Giuliano, wishing to pass through
Pisan territory, had a safe-conduct made out for his company at
Lucca, for they had no small apprehension about the Pisan soldiers.
Nevertheless, while passing near Altopascio, they were captured by
the Pisans, who cared nothing for safe-conducts or for any other
warrant that they might have. And for six months Giuliano was
detained in Pisa, his ransom being fixed at three hundred ducats;
nor was he able to return to Florence until he had paid it.
Antonio had heard this news in Rome, and, desiring to see his native
city and his brother again, obtained leave to depart from Rome; and
on his way he designed for Duke Valentino the fortress of
Montefiascone. Finally, in the year 1503, he reached Florence, where
the two brothers and their friends took joyful pleasure in each
other's company.
There now ensued the death of Alexander VI, and the election of Pius
III, who lived but a short time; whereupon the Cardinal of S. Pietro
in Vincula was created Pontiff, under the name of Pope Julius II;
which brought great joy to Giuliano, on account of his having been
so long in his service, and he determined, therefore, to go to kiss
the Pope's foot. Having then arrived in Rome, he was warmly received
and welcomed lovingly, and was straightway commissioned to execute
the first buildings undertaken by that Pope before the coming of
Bramante.
Antonio, who had remained in Florence, continued, in the absence of
Giuliano (Piero Soderini being Gonfalonier), the building of the
Poggio Imperiale, to which all the Pisan prisoners were sent to
labour, in order to finish the work the quicker. After this, by
reason of the troubles at Arezzo, the old fortress was destroyed,
and Antonio made the model for the new one, with the consent of
Giuliano, who had come from Rome for this purpose, but soon returned
thither; and this work was the reason that Antonio was appointed
architect to the Commune of Florence for all the fortifications.
Public-domain text, read in full here on John Shaqi.
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