Lives of the Most Eminent Painters Sculptors and Architects, Vol. 04 (of 10): Filippino Lippi to Domenico PuligoVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 04 (of 10): Filippino Lippi to Domenico Puligo
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Raffaello then painted for the Monastery of the Monks of Monte
Oliveto, called S. Maria dello Spasmo, at Palermo, a panel-picture
of Christ bearing the Cross, which is held to be a marvellous work.
In this may be seen the impious ministers of the Crucifixion,
leading Him with wrath and fury to His death on Mount Calvary; and
Christ, broken with agony at the near approach of death, has fallen
to the ground under the weight of the Tree of the Cross, and, bathed
with sweat and blood, turns towards the Maries, who are in a storm
of weeping. Moreover, there is seen among them Veronica, who
stretches out her arms and offers Him a cloth, with an expression of
the tenderest love, not to mention that the work is full of
men-at-arms both on horseback and on foot, who are pouring forth
from the gate of Jerusalem with the standards of justice in their
hands, in various most beautiful attitudes. This panel, when
completely finished, but not yet brought to its resting-place, was
very near coming to an evil end, for the story goes that after it
had been put on shipboard, in order that it might be carried to
Palermo, a terrible storm dashed against a rock the ship that was
carrying it, in such a manner that the timbers broke asunder, and
all the men were lost, together with the merchandise, save only the
panel, which, safely packed in its case, was washed by the sea on to
the shore of Genoa. There, having been fished up and drawn to land,
it was found to be a thing divine, and was put into safe keeping;
for it had remained undamaged and without any hurt or blemish, since
even the fury of the winds and the waves of the sea had respect for
the beauty of such a work. The news of this being then bruited
abroad, the monks took measures to recover it, and no sooner had it
been restored to them, by the favour of the Pope, than they gave
satisfaction, and that liberally, to those who had rescued it.
Thereupon it was once more put on board ship and brought at last to
Sicily, where they set it up in Palermo; in which place it has more
fame and reputation than the Mount of Vulcan itself.
Public-domain text, read in full here on John Shaqi.
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