Lives of the Most Eminent Painters Sculptors and Architects, Vol. 04 (of 10): Filippino Lippi to Domenico PuligoVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 04 (of 10): Filippino Lippi to Domenico Puligo
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Guglielmo used only two kinds of colour for the shading of such
glass as he proposed to subject to the action of fire; one was scale
of iron, and the other scale of copper. That of iron, which is dark,
served to shade draperies, hair, and buildings; and the other, that
of copper, which produces a tawny tint, served for flesh colours. He
also made much use of a hard stone that comes from Flanders and
France, called at the present day hematite, which is red in colour
and is much employed for burnishing gold. This, having first been
pounded in a bronze mortar, and then ground with an iron brazing
instrument on a plate of copper or yellow brass, and tempered with
gum, works divinely well on glass.
When Guglielmo first arrived in Rome, he was no great draughtsman,
although he was well practised in every other respect. But having
recognized the need of this, he applied himself to the study of
drawing, in spite of his being well advanced in years; and thus
little by little he achieved the improvement that is evident in the
windows that he afterwards made for the Palace of the said Cardinal
at Cortona, and for the other without the city, in a round window
that is in the aforesaid Pieve, over the facade, on the right hand
as one enters the church, wherein are the arms of Pope Leo X, and
likewise in two little windows that are in the Company of Gesu, in
one of which is a Christ, and in the other a S. Onofrio. These are
no little different from his early works, and much better.
Now while Guglielmo, as has been related, was living in Cortona,
there died at Arezzo one Fabiano di Stagio Sassoli, an Aretine, who
had been a very good master of the making of large windows.
Thereupon the Wardens of Works for the Vescovado gave the commission
for three windows in the principal chapel, each twenty braccia in
height, to Stagio, the son of the said Fabiano, and to the painter
Domenico Pecori; but when these were finished and fixed in their
places, they gave no great satisfaction to the Aretines, although
they were passing good and rather worthy of praise than otherwise.
It happened at this time that Messer Lodovico Belichini, an
excellent physician, and one of the first men in the government of
the city of Arezzo, went to Cortona to cure the mother of the
aforesaid Cardinal; and there he became well acquainted with our
Guglielmo, with whom, when he had time, he was very willing to
converse. And Guglielmo, who was then called the Prior, from his
having received about that time the benefice of a priory, likewise
conceived an affection for that physician, who asked him one day
whether, with the good will of the Cardinal, he would go to Arezzo
to execute some windows; at which Guglielmo promised that he would,
and with the permission and good will of the Cardinal he made his
way to that city. Now Stagio, of whom we have spoken above, having
parted from the company of Domenico, received Guglielmo into his
Public-domain text, read in full here on John Shaqi.
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