Lives of the Most Eminent Painters Sculptors and Architects, Vol. 04 (of 10): Filippino Lippi to Domenico PuligoVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 04 (of 10): Filippino Lippi to Domenico Puligo
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
would never work for Jews, and was wont, indeed, to say that their
money was putrid and stinking. He was a good man and a religious,
but whimsical in brain and obstinate: and he would never leave
Florence, for all the offers that were made to him, but lived and
died in that city. Of him I have thought it right to make this
record, because he was truly unique in his craft, and has never had
and never will have an equal, as may be seen best from the iron-work
and the beautiful lanterns of the Palace of the Strozzi.
[Illustration: IRON LANTERN
(_After_ Niccolo Grosso. _Florence: Palazzo Strozzi_)
_Alinari_]
This palace was brought to completion by Cronaca, and adorned with
a very rich courtyard in the Corinthian and Doric Orders, with
ornaments in the form of columns, capitals, cornices, windows, and
doors, all most beautiful. And if it should appear to anyone that
the interior of this palace is not in keeping with the exterior, he
must know that the fault is not Cronaca's, for the reason that he
was forced to adapt his interior to an outer shell begun by others,
and to follow in great measure what had been laid down by those
before him; and it was no small feat for him to have given it such
beauty as it displays. The same answer may be made to any who say
that the ascent of the stairs is not easy, nor correct in
proportion, but too steep and sudden; and likewise, also, to such as
say that the rooms and apartments of the interior in general are out
of keeping, as has been described, with the grandeur and
magnificence of the exterior. Nevertheless this palace will never be
held as other than truly magnificent, and equal to any private
building whatsoever that has been erected in Italy in our own times;
wherefore Cronaca rightly obtained, as he still does, infinite
commendation for this work.
The same master built the Sacristy of S. Spirito in Florence, which
is in the form of an octagonal temple, beautiful in proportions, and
executed with a high finish; and among other things to be seen in
this work are some capitals fashioned by the happy hand of Andrea
dal Monte Sansovino, which are wrought with supreme perfection; and
such, likewise, is the antechamber of that sacristy, which is held
to be very beautiful in invention, although the coffered ceiling, as
will be described, is not well distributed over the columns. The
same Cronaca also erected the Church of S. Francesco dell'
Osservanza on the hill of S. Miniato, without Florence; and likewise
the whole of the Convent of the Servite Friars, which is a highly
extolled work.
[Illustration: INTERIOR OF SACRISTY
(_After_ Simone [Il Cronaca]. _Florence: S. Spirito_)
_Alinari_]
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