Among other portraits that Domenico made from the life, which are all beautiful and also good likenesses, the most beautiful is the one which he painted of Monsignore Messer Piero Carnesecchi, at that time a marvellously handsome youth, for whom he also made some other pictures, all very beautiful and executed with much diligence. In like manner, he portrayed in a picture the Florentine Barbara, a famous and most lovely courtesan of that day, much beloved by many no less for her fine culture than for her beauty, and particularly because she was an excellent musician and sang divinely. But the best work that Domenico ever executed was a large picture wherein he made a life-size Madonna, with some angels and little boys, and a S. Bernard who is writing; which picture is now in the hands of Giovanni Gualberto del Giocondo, and of his brother Messer Niccolo, a Canon of S. Lorenzo in Florence. The same master made many other pictures, which are dispersed among the houses of citizens, and in particular some wherein may be seen a half-length figure of Cleopatra, causing an asp to bite her on the breast, and others wherein is the Roman Lucretia killing herself with a dagger. There are also some very beautiful portraits from life and pictures by the same hand at the Porta a Pinti, in the house of Giulio Scali, a man whose judgment is as fine in the matters of our arts as it is in those of every other most noble and most honourable profession. Domenico executed for Francesco del Giocondo, in a panel for his chapel in the great tribune of the Church of the Servi at Florence, a S. Francis who is receiving the Stigmata; which work is very sweet and soft in colouring, and wrought with much diligence. In the Church of Cestello, round the Tabernacle of the Sacrament, he painted two angels in fresco, and on the panel of a chapel in the same church he made a Madonna with her Son in her arms, S. John the Baptist, S. Bernard, and other saints. And since it appeared to the monks of that place that he had acquitted himself very well in those works, they caused him to paint in a cloister of their Abbey of Settimo, without Florence, the Visions of Count Ugo, who built seven abbeys. And no long time after, Puligo painted, in a shrine at the corner of the Via Mozza da S. Catarina, a Madonna standing, with her Son in her arms marrying S. Catherine, and a figure of S. Peter Martyr. For a Company in the township of Anghiari he executed a Deposition from the Cross, which may be numbered among his best works.