Lives of the Most Eminent Painters Sculptors and Architects, Vol. 04 (of 10): Filippino Lippi to Domenico PuligoVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 04 (of 10): Filippino Lippi to Domenico Puligo
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
And there was infused in that brain such grace from God, and a power
of expression in such sublime accord with the intellect and memory
that served it, and he knew so well how to express his conceptions
by draughtsmanship, that he vanquished with his discourse, and
confuted with his reasoning, every valiant wit. And he was
continually making models and designs to show men how to remove
mountains with ease, and how to bore them in order to pass from one
level to another; and by means of levers, windlasses, and screws, he
showed the way to raise and draw great weights, together with
methods for emptying harbours, and pumps for removing water from low
places, things which his brain never ceased from devising; and of
these ideas and labours many drawings may be seen, scattered abroad
among our craftsmen; and I myself have seen not a few. He even went
so far as to waste his time in drawing knots of cords, made
according to an order, that from one end all the rest might follow
till the other, so as to fill a round; and one of these is to be
seen in stamp, most difficult and beautiful, and in the middle of it
are these words, "Leonardus Vinci Accademia." And among these models
and designs, there was one by which he often demonstrated to many
ingenious citizens, who were then governing Florence, how he
proposed to raise the Temple of S. Giovanni in Florence, and place
steps under it, without damaging the building; and with such strong
reasons did he urge this, that it appeared possible, although each
man, after he had departed, would recognize for himself the
impossibility of so vast an undertaking.
He was so pleasing in conversation, that he attracted to himself the
hearts of men. And although he possessed, one might say, nothing,
and worked little, he always kept servants and horses, in which
latter he took much delight, and particularly in all other animals,
which he managed with the greatest love and patience; and this he
showed when often passing by the places where birds were sold, for,
taking them with his own hand out of their cages, and having paid to
those who sold them the price that was asked, he let them fly away
into the air, restoring to them their lost liberty. For which
reason nature was pleased so to favour him, that, wherever he turned
his thought, brain, and mind, he displayed such divine power in his
works, that, in giving them their perfection, no one was ever his
peer in readiness, vivacity, excellence, beauty, and grace.
Public-domain text, read in full here on John Shaqi.
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