Lives of the Most Eminent Painters Sculptors and Architects, Vol. 04 (of 10): Filippino Lippi to Domenico PuligoVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 04 (of 10): Filippino Lippi to Domenico Puligo
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
He made at this time, for Messer Baldassarre Turini da Pescia, who
was Datary to Pope Leo, a little picture of the Madonna with the
Child in her arms, with infinite diligence and art; but whether
through the fault of whoever primed the panel with gesso, or because
of his innumerable and capricious mixtures of grounds and colours,
it is now much spoilt. And in another small picture he made a
portrait of a little boy, which is beautiful and graceful to a
marvel; and both of them are now at Pescia, in the hands of Messer
Giuliano Turini. It is related that, a work having been allotted to
him by the Pope, he straightway began to distil oils and herbs, in
order to make the varnish; at which Pope Leo said: "Alas! this man
will never do anything, for he begins by thinking of the end of the
work, before the beginning."
There was very great disdain between Michelagnolo Buonarroti and
him, on account of which Michelagnolo departed from Florence, with
the excuse of Duke Giuliano, having been summoned by the Pope to the
competition for the facade of S. Lorenzo. Leonardo, understanding
this, departed and went into France, where the King, having had
works by his hand, bore him great affection; and he desired that he
should colour the cartoon of S. Anne, but Leonardo, according to his
custom, put him off for a long time with words.
Finally, having grown old, he remained ill many months, and, feeling
himself near to death, asked to have himself diligently informed of
the teaching of the Catholic faith, and of the good way and holy
Christian religion; and then, with many moans, he confessed and was
penitent; and although he could not raise himself well on his feet,
supporting himself on the arms of his friends and servants, he was
pleased to take devoutly the most holy Sacrament, out of his bed.
The King, who was wont often and lovingly to visit him, then came
into the room; wherefore he, out of reverence, having raised himself
to sit upon the bed, giving him an account of his sickness and the
circumstances of it, showed withal how much he had offended God and
mankind in not having worked at his art as he should have done.
Thereupon he was seized by a paroxysm, the messenger of death; for
which reason the King having risen and having taken his head, in
order to assist him and show him favour, to the end that he might
alleviate his pain, his spirit, which was divine, knowing that it
could not have any greater honour, expired in the arms of the King,
in the seventy-fifth year of his age.
[Illustration: FRAGMENT FROM "THE BATTLE OF THE STANDARD"
(_After the cartoon attributed to_ Leonardo da Vinci. _Oxford:
Ashmolean Museum_)
_Reproduced by permission of the Visitors of the Ashmolean Museum_]
Public-domain text, read in full here on John Shaqi.
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