In the Borgo Nuovo they executed a facade in sgraffito, and on the Canto della Pace another likewise in sgraffito; with a facade of the house of the Spinoli, not far from that last-mentioned, on the way to the Parione, containing athletic contests according to the custom of the ancients, and their sacrifices, and the death of Tarpeia. Near the Torre di Nona, on the side towards the Ponte S. Angelo, may be seen a little facade with the Triumph of Camillus and an ancient sacrifice. In the road that leads to the Imagine di Ponte, there is a most beautiful facade with the story of Perillus, showing him being placed in the bronze bull that he had made; wherein great effort may be seen in those who are thrusting him into that bull, and terror in those who are waiting to behold a death so unexampled, besides which there is the seated figure of Phalaris (so I believe), ordaining with an imperious air of great beauty the punishment of the inhuman spirit that had invented a device so novel and so cruel in order to put men to death with greater suffering. In this work, also, may be perceived a very beautiful frieze of children, painted to look like bronze, and other figures. Higher up than this they painted the facade of the house where there is the image which is called the Imagine di Ponte, wherein are seen several stories illustrated by them, with the Senatorial Order dressed in the garb of ancient Rome. And in the Piazza della Dogana, beside S. Eustachio, there is a facade of battle-pieces; and within that church, on the right as one enters, may be perceived a little chapel with figures painted by Polidoro. They also executed another above the Farnese Palace for the Cepperelli, and a facade behind the Minerva in the street that leads to the Maddaleni; and in the latter, which contains scenes from Roman history, may be seen, among other beautiful things, a frieze of children in triumph, painted to look like bronze, and executed with supreme grace and extraordinary beauty. On the facade of the Buoni Auguri, near the Minerva, are some very beautiful stories of Romulus, showing him when he is marking out the site of his city with the plough, and when the vultures are flying over him; wherein the vestments, features, and persons of the ancients are so well imitated, that it truly appears as if these were the very men themselves. Certain it is that in that field of art no man ever had such power of design, such practised mastery, a more beautiful manner, or greater facility. And every craftsman is so struck with wonder every time that he sees these works, that he cannot but be amazed at the manner in which Nature has been able in this age to present her marvels to us by means of these men.