For S. Lorenzo, at the commission of Carlo Ginori, he painted a panel-picture of the Marriage of Our Lady, which is held to be a most beautiful work. And, in truth, with regard to his facility of method, there has never been anyone who has been able to surpass him in masterly skill and dexterity, or even to approach within any distance of him; and he was so sweet in colouring, and varied his draperies with such grace, and took such delight in his art, that he was always held to be marvellous and worthy of the highest praise. Whosoever shall observe this work must recognize that all that I have written is most true, above all as he studies the nudes, which are very well conceived, with all the requirements of anatomy. His women are full of grace, and the draperies that adorn them fanciful and bizarre. He showed, also, the sense of fitness that is necessary in the heads of the old, with their harshness of features, and in those of women and children, with expressions sweet and pleasing. He was so rich in invention, that he never had any space left over in his pictures, and he executed all his work with such facility and grace, that it was a marvel. For Giovanni Bandini, also, he painted a picture with some very beautiful nudes, representing the scene of Moses slaying the Egyptian, wherein were things worthy of the highest praise; and this was sent, I believe, into France. And for Giovanni Cavalcanti, likewise, he executed another, which went to England, of Jacob receiving water from the women at the well; this was held to be a divine work, seeing that it contained nudes and women wrought with supreme grace. For women, indeed, he always delighted to paint transparent pieces of drapery, head-dresses with intertwined tresses, and ornaments for their persons.