Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10): Andrea da Fiesole to Lorenzo LottoVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10): Andrea da Fiesole to Lorenzo Lotto
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
At this same time he painted for the Chevalier Baiardo, a gentleman of
Parma and his intimate friend, a picture of a Cupid, who is fashioning
a bow with his own hand, and at his feet are seated two little boys,
one of whom catches the other by the arm and laughingly urges him to
touch Cupid with his finger, but he will not touch him, and shows by his
tears that he is afraid of burning himself at the fire of Love. This
picture, which is charming in colour, ingenious in invention, and
executed in that graceful manner of Francesco's that has been much
studied and imitated, as it still is, by craftsmen and by all who
delight in art, is now in the study of Signor Marc' Antonio Cavalca,
heir to the Chevalier Baiardo, together with many drawings of every kind
by the hand of the same master, all most beautiful and highly finished,
which he has collected. Even such are the many drawings, also by the
hand of Francesco, that are in our book; and particularly that of the
Beheading of S. Peter and S. Paul, of which, as has been related, he
published copper-plate engravings and woodcuts, while living in Bologna.
For the Church of S. Maria de' Servi he painted a panel-picture of Our
Lady with the Child asleep in her arms, and on one side some Angels, one
of whom has in his arms an urn of crystal, wherein there glitters a
Cross, at which the Madonna gazes in contemplation. This work remained
unfinished, because he was not well contented with it; and yet it is
much extolled, and a good example of his manner, so full of grace and
beauty.
Public-domain text, read in full here on John Shaqi.
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