Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10): Andrea da Fiesole to Lorenzo LottoVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10): Andrea da Fiesole to Lorenzo Lotto
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
While this painter was still young, imitating partly the manner of the
Bellini and partly that of Giorgione, he painted an altar-piece, divided
into six pictures, for the high-altar of S. Domenico at Recanati. In the
central picture is the Madonna with the Child in her arms, giving the
habit, by the hands of an Angel, to S. Dominic, who is kneeling before
the Virgin; and in this picture are also two little boys, one playing on
a lute and the other on a rebeck. In the second picture are the Popes S.
Gregory and S. Urban; and in the third is S. Thomas Aquinas, with
another saint, who was Bishop of Recanati. Above these are the three
other pictures; and in the centre, above the Madonna, is a Dead Christ,
supported by an Angel, with His Mother kissing His arm, and S.
Magdalene. Over the picture of S. Gregory are S. Mary Magdalene and S.
Vincent; and in the third--namely, above the S. Thomas Aquinas--are S.
Gismondo and S. Catharine of Siena. In the predella, which is a
rare work painted with little figures, there is in the centre the
scene of S. Maria di Loreto being carried by the Angels from the regions
of Sclavonia to the place where it now stands. Of the two scenes that
are on either side of this, one shows S. Dominic preaching, the little
figures being the most graceful in the world, and the other Pope
Honorius confirming the Rule of S. Dominic. In the middle of this church
is a figure of S. Vincent, the Friar, executed in fresco by the hand of
the same master. And in the Church of S. Maria di Castelnuovo there is
an altar-piece in oils of the Transfiguration of Christ, with three
scenes painted with little figures in the predella--Christ leading the
Apostles to Mount Tabor, His Prayer in the Garden, and His Ascension
into Heaven.
[Illustration: ANDREA ODONI
(_After the painting by =Lorenzo Lotto=. Hampton Court Palace_)
_Mansell_]
After these works Lorenzo went to Ancona, at the very time when Mariano
da Perugia had finished a panel-picture, with a large ornamental frame,
for the high-altar of S. Agostino. This did not give much satisfaction;
and Lorenzo was commissioned to paint a picture, which is placed in the
middle of the same church, of Our Lady with the Child in her lap, and
two figures of Angels in the air, in foreshortening, crowning the
Virgin.
Public-domain text, read in full here on John Shaqi.
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