Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10): Andrea da Fiesole to Lorenzo LottoVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10): Andrea da Fiesole to Lorenzo Lotto
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
At this same time Andrea painted for the Abbey of S. Godenzo, a benefice
belonging to the same friars, a panel which was held to be very well
executed. And for the Friars of S. Gallo he made a panel-picture of Our
Lady receiving the Annunciation from the Angel, wherein may be seen a
very pleasing harmony of colouring, while the heads of some Angels
accompanying Gabriel show a sweet gradation of tints and a perfectly
executed beauty of expression in their features; and the predella below
this picture was painted by Jacopo da Pontormo, who was a disciple of
Andrea at that time, and gave proofs at that early age that he was
destined to produce afterwards those beautiful works which he actually
did execute in Florence with his own hand, although in the end he became
one might say another painter, as will be related in his Life.
Andrea then painted for Zanobi Girolami a picture with figures of no
great size, wherein was a story of Joseph, the son of Jacob, which was
finished by him with unremitting diligence, and therefore held to be a
very beautiful painting. Not long after this, he undertook to execute
for the men of the Company of S. Maria della Neve, situated behind the
Nunnery of S. Ambrogio, a little panel with three figures--Our Lady, S.
John the Baptist, and S. Ambrogio; which work, when finished, was placed
in due time on the altar of that Company.
Meanwhile, thanks to his talent, Andrea had become intimate with
Giovanni Gaddi, afterwards appointed Clerk of the Chamber, who, always
delighting in the arts of design, was then keeping Jacopo Sansovino
continually at work. Being pleased, therefore, with the manner of
Andrea, he caused him to paint a picture of Our Lady for himself, which
was very beautiful, for Andrea painted various patterns and other
ingenious devices round it, so that it was considered to be the most
beautiful work that he had executed up to that time. After this he made
for Giovanni di Paolo, the mercer, another picture of Our Lady, which,
being truly lovely, gave infinite pleasure to all who saw it. And for
Andrea Santini he executed another, containing Our Lady, Christ, S.
John, and S. Joseph, all wrought with such diligence that the painting
has always been esteemed in Florence as worthy of great praise.
Public-domain text, read in full here on John Shaqi.
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