Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10): Andrea da Fiesole to Lorenzo LottoVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10): Andrea da Fiesole to Lorenzo Lotto
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Michelagnolo, a sculptor of Siena, after he had spent the best years of
his life in Sclavonia with other excellent sculptors, made his way to
Rome on the following occasion. After the death of Pope Adrian, Cardinal
Hincfort, who had been the friend and favourite of that Pontiff,
determined, as one not ungrateful for the benefits received from him, to
erect to him a tomb of marble; and he gave the charge of this to
Baldassarre Peruzzi, the painter of Siena. And that master, having made
the model, desired that the sculptor Michelagnolo, his friend and
compatriot, should undertake the work on his own account. Michelagnolo,
therefore, made on that tomb a lifesize figure of Pope Adrian, lying
upon the sarcophagus and portrayed from nature, with a scene, also in
marble, below him, showing his arrival in Rome and the Roman people
going to meet him and to do him homage. Around the tomb, moreover, in
four niches, are four Virtues in marble, Justice, Fortitude, Peace, and
Prudence, all executed with much diligence by the hand of Michelagnolo
after the counsel of Baldassarre. It is true, indeed, that some of the
things that are in this work were wrought by the Florentine sculptor,
Tribolo, then a very young man, and these were considered the best of
all; but Michelagnolo executed the minor details of the work with
supreme diligence and subtlety, and the little figures that are in it
deserve to be extolled more than all the rest. Among other things, there
are some variegated marbles wrought with a high finish, and put
together so well that nothing more could be desired. For these
labours Michelagnolo received a just and honourable reward from the
aforesaid Cardinal, and was treated with much favour by him for the rest
of his life; and, in truth, with right good reason, seeing that this
tomb and the Cardinal's gratitude have done as much to bring fame to him
as did the work to give a name to Michelagnolo in his lifetime and
renown after his death. This work finished, no long time elapsed before
Michelagnolo passed from this life to the next, at about the age of
fifty.
Public-domain text, read in full here on John Shaqi.
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