Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo SoggiVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo Soggi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Antonio, then, was the son of Bartolommeo Picconi of Mugello, a maker of
casks; and after having learned the joiner's craft in his boyhood,
hearing that his uncle, Giuliano da San Gallo, was working at Rome in
company with his brother Antonio, he set out from Florence for that
city. And there, having devoted himself to the matters of the art of
architecture with the greatest possible zeal, and pursuing that art, he
gave promise of those achievements that we see in such abundance
throughout all Italy, in the vast number of works executed by him at a
more mature age. Now it happened that Giuliano was forced by the torment
that he suffered from the stone to return to Florence; and Antonio,
having become known to the architect Bramante of Castel Durante, began
to give assistance to that master, who, being old and crippled in the
hands by palsy, was not able to work as before in the preparation of his
designs. And these Antonio executed with such accuracy and precision
that Bramante, finding that they were correct and true in all their
measurements, was constrained to leave to him the charge of a great
number of works that he had on his hands, only giving him the order that
he desired and all the inventions and compositions that were to be used
in each work. In these he found himself served by Antonio with so much
judgment, diligence, and expedition, that in the year 1512 he gave him
the charge of the corridor that was to lead to the ditches of the
Castello di S. Angelo; for which he began to receive a salary of ten
crowns a month; but the death of Julius II then took place, and the work
was left unfinished. However, the circumstance that Antonio had already
acquired a name as a person of ability in architecture, and one who had
a very good manner in matters of building, was the reason that
Alessandro, who was first Cardinal Farnese, and afterwards Pope Paul
III, conceived the idea of commissioning him to restore the old palace
in the Campo di Fiore, in which he lived with his family; and for that
work Antonio, desiring to grow in reputation, made several designs in
different manners. Among which, one that was arranged with two
apartments was that which pleased his very reverend Highness, who,
having two sons, Signor Pier Luigi and Signor Ranuccio, thought that he
would leave them well accommodated by such a building. And, a beginning
having been made with that work, a certain portion was constructed
regularly every year.
Public-domain text, read in full here on John Shaqi.
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