Among the many disciples that Giulio had while he was executing these works, such as Bartolommeo da Castiglione, Tommaso Papacello of Cortona, and Benedetto Pagni of Pescia, those of whom he made the most particular use were Giovanni da Lione and Raffaello dal Colle of Borgo a San Sepolcro, both of whom assisted him in the execution of many things in the Hall of Constantine and in the other works of which we have spoken. Wherefore I do not think it right to refrain from mentioning that these two, who were very dexterous in painting, and followed the manner of Giulio closely in carrying into execution the works that he designed for them, painted in colours after his design, near the old Mint in the Banchi, the escutcheon of Pope Clement VII, each of them doing one-half, with two terminal figures, one on either side of that escutcheon. And the same Raffaello, not long after, painted in fresco from a cartoon drawn by Giulio, in a lunette within the door of the Palace of Cardinal della Valle, a Madonna who is covering the Child, who is sleeping, with a piece of drapery, with S. Andrew the Apostle on one side and S. Nicholas on the other, which was held, with justice, to be an excellent picture. Giulio, meanwhile, being very intimate with Messer Baldassarre Turini da Pescia, built for him on Mount Janiculum, where there are some villas that have a most beautiful view, after making the design and model, a palace so graceful and so well appointed, from its having all the conveniences that could be desired in such a place, that it defies description. Moreover, the apartments were adorned not only with stucco, but also with paintings, for he himself painted there some stories of Numa Pompilius, who was buried on that spot; and in the bathroom of this palace, with the help of his young men, Giulio painted some stories of Venus, Love, Apollo, and Hyacinthus, which are all to be seen in engraving. After having separated himself completely from Giovan Francesco, he executed various architectural works in Rome, such as the design of the house of the Alberini in the Banchi (although some believe that the plan of this work came from Raffaello), and likewise a palace that may be seen at the present day on the Piazza della Dogana in Rome, which, being beautiful in design, has been reproduced in engraving. And for himself, on a corner of the Macello de' Corbi, where stood his own house, in which he was born, he made a beginning with a beautiful range of windows, which is a small thing, but very graceful.