Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo SoggiVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo Soggi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
In this work, moreover, in order to render it the more fearsome and
terrible, Giulio represented the Giants, huge and fantastic in aspect,
falling to the earth, smitten in various ways by the lightnings and
thunderbolts; some in the foreground and others in the background, some
dead, others wounded, and others again covered by mountains and the
ruins of buildings. Wherefore let no one ever think to see any work of
the brush more horrible and terrifying, or more natural than this one;
and whoever enters that room and sees the windows, doors, and other
suchlike things all awry and, as it were, on the point of falling, and
the mountains and buildings hurtling down, cannot but fear that
everything will fall upon him, and, above all, as he sees the Gods in
the Heaven rushing, some here, some there, and all in flight. And what
is most marvellous in the work is to see that the whole of the painting
has neither beginning nor end, but is so well joined and connected
together, without any divisions or ornamental partitions, that the
things which are near the buildings appear very large, and those in the
distance, where the landscapes are, go on receding into infinity; whence
that room, which is not more than fifteen braccia in length, has the
appearance of open country. Moreover, the pavement being of small round
stones set on edge, and the lower part of the upright walls being
painted with similar stones, there is no sharp angle to be seen, and
that level surface has the effect of a vast expanse, which was executed
with much judgment and beautiful art by Giulio, to whom our craftsmen
are much indebted for such inventions.
In this work the above-mentioned Rinaldo Mantovano became a perfect
colourist, for he carried the whole of it into execution after the
cartoons of Giulio, as well as the other rooms. And if this painter had
not been snatched from the world so young, even as he did honour to
Giulio during his lifetime, so he would have done honour (to himself)
after Giulio's death.
[Illustration: THE DESTRUCTION OF THE GIANTS BY THE THUNDERBOLTS OF JOVE
(_After the fresco by =Giulio Romano=. Mantua: Palazzo del Te, Sala dei
Giganti_)
_Alinari_]
Public-domain text, read in full here on John Shaqi.
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