Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo SoggiVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo Soggi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Giulio, who was very versatile, was able to discourse on every subject,
but above all on medals, upon which he spent large sums of money and
much time, in order to gain knowledge of them. And although he was
employed almost always in great works, this did not mean that he would
not set his hand at times to the most trifling matters in order to
oblige his patron and his friends; and no sooner had one opened his
mouth to explain to him his conception than he had understood it and
drawn it. Among the many rare things that he had in his house was the
portrait from life of Albrecht Duerer on a piece of fine Rheims cloth, by
the hand of Albrecht himself, who sent it, as has been related in
another place, as a present to Raffaello da Urbino. This portrait was an
exquisite thing, for it had been coloured in gouache with much diligence
with water-colours, and Albrecht had executed it without using
lead-white, availing himself in its stead of the white of the cloth,
with the delicate threads of which he had so well rendered the hairs of
the beard, that it was a thing scarcely possible to imagine, much less
to do; and when held up to the light it showed through on either side.
This portrait, which was very dear to Giulio, he showed to me himself as
a miracle, when I went during his lifetime to Mantua on some affairs of
my own.
At the death of Duke Federigo, by whom Giulio had been beloved beyond
belief, he was so overcome with sorrow, that he would have left Mantua,
if the Cardinal, the brother of the Duke, on whom the government of the
State had descended because the sons of Federigo were very young, had
not detained him in that city, where he had a wife and children, houses,
villas, and all the other possessions that are proper to a gentleman of
means. And this the Cardinal did (aided by those reasons) from a wish to
avail himself of the advice and assistance of Giulio in renovating, or
rather building almost entirely anew, the Duomo of that city; to which
work Giulio set his hand, and carried it well on in a very beautiful
form.
Public-domain text, read in full here on John Shaqi.
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