Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo SoggiVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo Soggi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
In the meantime Fra Mariano Fetti, Friar of the Piombo, died, and
Sebastiano, remembering the promises made to him by the above-mentioned
Bishop of Vasona, master of the household to His Holiness, asked for the
office of the Piombo; whereupon, although Giovanni da Udine, who had
also done much in the service of His Holiness "in minoribus," and still
continued to serve him, asked for the same office, the Pope, moved by
the prayers of the Bishop, and also thinking that the talents of
Sebastiano deserved it, ordained that Sebastiano should have the office,
but should pay out of it to Giovanni da Udine an allowance of three
hundred crowns. Thus Sebastiano assumed the friar's habit, and
straightway felt his soul changed thereby, for, perceiving that he now
had the means to satisfy his desires, he spent his time in repose
without touching a brush, and recompensed himself with his comforts and
his revenues for many misspent nights and laborious days; and whenever
he happened to have something to do, he would drag himself to the work
with such reluctance, that he might have been going to his death. From
which one may learn how much our reason and the little wisdom of men are
deceived, in that very often, nay, almost always, we covet the very
opposite to that which we really need, and, as the Tuscan proverb has
it, in thinking to cross ourselves with a finger, poke it into our own
eyes. It is the common opinion of men that rewards and honours spur the
minds of mortals to the studies of those arts which they see to be the
best remunerated, and that, on the contrary, to see that those who
labour at these arts are not recompensed by such men as have the means,
causes the same students to grow negligent and to abandon them. And for
this reason both ancients and moderns censure as strongly as they are
able those Princes who do not support every kind of man of talent, and
who do not give due honour and reward to all who labour valiantly in the
arts. But, although this rule is for the most part a good one, it may be
seen, nevertheless, that at times the liberality of just and magnanimous
Princes produces the contrary effect, for the reason that many are more
useful and helpful to the world in a low or mediocre condition than they
are when raised to greatness and to an abundance of all good things. And
here we have an example, for the magnificent liberality of Clement VII,
bestowing too rich a reward on Sebastiano Viniziano, who had done
excellent work as a painter in his service, was the reason that he
changed from a zealous and industrious craftsman into one most idle and
negligent, and that, whereas he laboured continually while he was living
in poor circumstances and the rivalry between him and Raffaello da
Urbino lasted, he did quite the opposite when he had enough for his
contentment.
Public-domain text, read in full here on John Shaqi.
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