Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo SoggiVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo Soggi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
There came to Florence at that time the Florentine painter Vaga, a
master of no great excellence, who was executing commonplace works at
Toscanella in the province of Rome. Having a superabundance of work, he
was in need of assistance, and he desired to take back with him a
companion and also a young man who might help him in design, in which he
was wanting, and in the other matters of art. Now this painter, having
seen Perino drawing in the workshop of Ridolfo together with the other
young men, found him so superior to them all, that he was astonished;
and, what is more, he was pleased with his appearance and his ways, for
Perino was a very beautiful youth, most courteous, modest, and gentle,
and every part of his body was in keeping with the nobility of his mind;
wherefore Vaga was so charmed with him, that he asked him whether he
would go with him to Rome, saying that he would not fail to assist him
in his studies, and promising him such benefits and conditions as he
might demand. So great was the desire that Perino had to attain to
excellence in his profession, that, when he heard Rome mentioned,
through his eagerness to see that city, he was deeply moved; but he told
him that he must speak to Andrea de' Ceri, who had supported him up to
that time, so that he was loth to abandon him. And so Vaga, having
persuaded Ridolfo, Perino's master, and Andrea, who maintained him, so
contrived that in the end he took Perino, with the companion, to
Toscanella. There Perino began to work and to assist them, and they
finished not only the work that Vaga had undertaken, but also many that
they undertook afterwards. But Perino complained that the promise of
seeing Rome, by which he had been brought from Florence, was not being
fulfilled, in consequence of the profit and advantage that Vaga was
drawing from his services, and he resolved to go thither by himself;
which was the reason that Vaga, leaving all his works, took him to Rome.
And there, through the love that he bore to art, Perino returned to his
former work of drawing and continued at it many weeks, growing more
ardent every day. But Vaga wished to return to Toscanella, and therefore
made him known, as one belonging to himself, to many commonplace
painters, and also recommended him to all the friends that he had there,
to the end that they might assist and favour him in his absence; from
which circumstance he was always called from that day onward Perino del
Vaga.
[Illustration: THE PASSAGE OF THE RED SEA
(_After the fresco by =Perino del Vaga=. Rome: The Vatican, Loggia_)
_Anderson_]
Public-domain text, read in full here on John Shaqi.
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