Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo SoggiVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo Soggi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
The first time that the Emperor Charles V came to Italy, it was expected
that he would go to Siena, for he had declared such an intention to the
Ambassadors of that Republic; and among other vast and magnificent
preparations that were made for the reception of so great an Emperor,
Domenico fashioned a horse eight braccia high and in full relief, all of
paste-board and hollow within. The weight of that horse was supported by
an armature of iron, and upon it was the statue of the Emperor, armed in
the ancient fashion, with a sword in his hand. And below it were three
large figures--vanquished by him, as it were--which also supported part
of the weight, the horse being in the act of leaping with the front legs
high in the air; which three figures represented three provinces
conquered and subdued by the Emperor. In that work Domenico showed that
he was a master no less of sculpture than of painting; to which it must
be added that he had placed the whole work upon a wooden structure four
braccia high, with a number of wheels below it, which, being set in
motion by men concealed within, caused the whole to move forward; and
the design of Domenico was that at the entry of His Majesty this horse,
having been set in motion as has been described, should accompany him
from the gate as far as the Palace of the Signori, and should then come
to rest in the middle of the Piazza. This horse, after being carried by
Domenico so near completion that there only remained to gild it, was
left in that condition, because His Majesty after all did not at that
time go to Siena, but left Italy after being crowned at Bologna; and the
work remained unfinished. But none the less the art and ingenuity of
Domenico were recognized, and all men greatly praised the grandeur and
excellence of that great structure, which stood in the Office of Works
of the Duomo from that time until His Majesty, returning from his
victorious enterprise in Africa, passed through Messina and then Naples,
Rome, and finally Siena; at which time Domenico's work was placed on the
Piazza del Duomo, to his great honour.
Public-domain text, read in full here on John Shaqi.
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