Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo SoggiVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo Soggi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
But returning to Marc' Antonio: having arrived in Rome, he engraved on
copper a most lovely drawing by Raffaello da Urbino, wherein was the
Roman Lucretia killing herself, which he executed with such diligence
and in so beautiful a manner, that Raffaello, to whom it was straightway
carried by some friends, began to think of publishing in engravings some
designs of works by his hand, and then a drawing that he had formerly
made of the Judgment of Paris, wherein, to please himself, he had drawn
the Chariot of the Sun, the nymphs of the woods, those of the fountains,
and those of the rivers, with vases, the helms of ships, and other
beautiful things of fancy all around; and when he had made up his mind,
these were engraved by Marc' Antonio in such a manner as amazed all
Rome. After them was engraved the drawing of the Massacre of the
Innocents, with most beautiful nudes, women and children, which was a
rare work; and then the Neptune, with little stories of AEneas around it,
the beautiful Rape of Helen, also after a drawing by Raffaello, and
another design in which may be seen the death of S. Felicita, who is
being boiled in oil, while her sons are beheaded. These works acquired
such fame for Marc' Antonio, that his engravings were held in much
higher estimation, on account of their good design, than those of the
Flemings; and the merchants made very large profits out of them.
Raffaello had kept an assistant called Baviera for many years to grind
his colours; and since this Baviera had a certain ability, Raffaello
ordained that he should attend to the printing of the engravings
executed by Marc' Antonio, to the end that all his compositions might
thus be finished, and then sold in gross and in detail to all who
desired them. And so, having set to work, they printed a vast number,
which brought very great profit to Raffaello; and all the plates were
signed by Marc' Antonio with the following signatures, "R.S." for the
name of Raffaello Sanzio of Urbino, and "M.F." for that of Marc'
Antonio. Among these works were a Venus embraced by Love, after a
drawing by Raffaello, and a scene in which God the Father is blessing
the seed of Abraham, with the handmaiden and two children. Next were
engraved all the round pictures that Raffaello had painted in the
apartments of the Papal Palace, such as the Universal Knowledge,
Calliope with the musical instrument in her hand, Foresight, and
Justice; and then, after a small drawing, the scene which Raffaello had
painted in the same apartment, of Mount Parnassus, with Apollo, the
Muses, and the Poets; and also that of AEneas carrying Anchises on his
back while Troy is burning, of which Raffaello had made the drawing in
order to paint a little picture. After this they engraved and printed
another work of Raffaello, Galatea in a car drawn over the sea by
Dolphins, with some Tritons who are carrying off a Nymph.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account