Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo SoggiVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo Soggi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Not otherwise than worthy of praise, also, is the method that has been
invented of making engravings more easily than with the burin, although
they do not come out so clear--that is, with aquafortis, first laying on
the copper a coat of wax, varnish, or oil-colour, and then drawing the
design with an iron instrument that has a sharp point to cut through the
wax, varnish, or colour, whichever it may be, after which one pours over
it the aquafortis, which eats into the copper in such a manner that it
leaves the lines of the design hollow, and impressions can be taken from
it. With this method Francesco Parmigiano executed many little things,
which are full of grace, such as the Nativity of Christ, a Dead Christ
with the Maries weeping over Him, and one of the tapestries executed for
the Chapel after the designs of Raffaello, with many other works.
After these masters, fifty sheets with varied and beautiful landscapes
were produced by Battista, a painter of Vicenza, and Battista del Moro
of Verona. In Flanders, Hieronymus Cock has executed engravings of the
liberal arts; and in Rome, engravings have been done of the Visitation
in the Pace, painted by Fra Sebastiano Viniziano, of that by Francesco
Salviati in the Misericordia, and of the Feast of Testaccio; besides
many works that have been engraved in Venice by the painter Battista
Franco, and by many other masters.
But to return to the simple copper-plate engravings; after Marc' Antonio
had executed the many works that have been mentioned above, Rosso
arrived in Rome, and Baviera persuaded him that he should have some of
his works engraved; wherefore he commissioned Gian Jacopo Caraglio of
Verona, who was one of the most skilful craftsmen of that day, and who
sought with all diligence to imitate Marc' Antonio, to engrave a lean
anatomical figure of his own, which holds a death's head in the hand,
and is seated on a serpent, while a swan is singing. This plate
succeeded so well, that the same Rosso afterwards caused engravings to
be made, on plates of considerable size, of some of the Labours of
Hercules: the Slaying of the Hydra, the Combat with Cerberus, the
Killing of Cacus, the Breaking of the Bull's Horns, the Battle with the
Centaurs, and the Centaur Nessus carrying off Deianira. And these plates
proved to be so beautiful and so well engraved, that the same Jacopo
executed, likewise after the design of Rosso, the story of the daughters
of Pierus, who, for seeking to contend with the Muses and to sing in
competition with them, were transformed into crows.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account