From Venice, likewise, have come many most beautiful engravings on wood and on copper; on wood, after Tiziano, many landscapes, a Nativity of Christ, a S. Jerome, and a S. Francis; and on copper the Tantalus, the Adonis, and many other plates, which have been engraved by Giulio Bonasone of Bologna, together with some others by Raffaello, by Giulio Romano, by Parmigiano, and by all the other masters whose drawings he has been able to obtain. And Battista Franco, a painter of Venice, has engraved, partly with the burin and partly with aquafortis, many works by the hands of various masters, such as the Nativity of Christ, the Adoration of the Magi, the Preaching of S. Peter, some plates from the Acts of the Apostles, and many stories from the Old Testament. So far, indeed, has this practice of making prints been carried, that those who make a profession of it keep draughtsmen continually employed in copying every beautiful work as it appears, and put it into prints. Wherefore there came from France, after the death of Rosso, engravings of all the work by his hand that could be found, such as Clelia with the Sabine women passing the river; some masks after the manner of the Fates, executed for King Francis; a bizarre Annunciation; a Dance of ten women; and King Francis advancing alone into the Temple of Jupiter, leaving behind him Ignorance and other similar figures, which were executed during the lifetime of Rosso by the copper-plate engraver Renato.[18] And many more have been drawn and engraved since Rosso's death; among many other works, all the stories of Ulysses, and, to say nothing of the rest, vases, chandeliers, candelabra, salt-cellars, and a vast number of other suchlike things made in silver after designs of Rosso.