Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il SodomaVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il Sodoma
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Then, in the year 1536, the Emperor Charles V coming to Italy and to
Florence, as has been related in other places, the most magnificent
festive preparations were ordained, among which Vasari, by order of
Duke Alessandro, received the charge of the decorations of the Porta a
S. Piero Gattolini, of the facade at S. Felice in Piazza, at the head
of the Via Maggio, and of the pediment that was erected over the door
of S. Maria del Fiore; and, in addition, of a standard of cloth for
the castle, fifteen braccia in depth and forty in length, into the
gilding of which there went fifty thousand leaves of gold. Now the
Florentine painters and others who were employed in these
preparations, thinking that Vasari was too much in favour with Duke
Alessandro, and wishing to leave him disgraced in that part of the
decorations--a part truly great and laborious--which had fallen to
him, so went to work that he was not able to enlist the services of
any master of architectural painting, whether young or old, among all
those that were in the city, to assist him in any single thing. Of
which having become aware, Vasari sent for Cristofano, Raffaello dal
Colle, and Stefano Veltroni of Monte Sansovino, his kinsman; and with
their assistance and that of other painters from Arezzo and other
places, he executed the works mentioned above, in which Cristofano
acquitted himself in such a manner, that he caused everyone to marvel,
doing honour to himself and also to Vasari, who was much extolled for
those works. After they were finished, Cristofano remained many days
in Florence, assisting the same Vasari in the preparations that were
made in the Palace of Messer Ottaviano de' Medici for the nuptials of
Duke Alessandro; wherein, among other things, Cristofano executed the
coat of arms of the Duchess Margherita of Austria, with the balls,
upheld by a most beautiful eagle, with some boys, very well done.
Not long afterwards, when Duke Alessandro had been assassinated, a
compact was made in the Borgo to hand over one of the gates of the
city to Piero Strozzi, when he came to Sestino, and letters were
therefore written to Cristofano by some soldiers exiled from the
Borgo, entreating him that he should consent to help them in this:
which letters received, although Cristofano did not grant their
request, yet, in order not to do a mischief to the soldiers, he chose
rather to tear them up, as he did, than to lay them, as according to
the laws and edicts he should have done, before Gherardo Gherardi, who
was then Commissioner for the Lord Duke Cosimo in the Borgo. When the
troubles were over and the matter became known, many citizens of the
Borgo were exiled as rebels, and among them Doceno; and Signor
Alessandro Vitelli, who knew the truth of this affair and could have
helped him, did not do so, to the end that Cristofano might be as it
were forced to serve him in the work of his garden at Citta di
Castello, of which we have spoken above.
Public-domain text, read in full here on John Shaqi.
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