Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il SodomaVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il Sodoma
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
In the same Verona, also, lives Bernardino, called L'India, who,
besides many other works, has painted the Fable of Psyche in most
beautiful figures on the ceiling of a chamber in the house of Count
Marc'Antonio del Tiene. And he has painted another chamber, with
beautiful inventions and a lovely manner of painting, for Count
Girolamo of Canossa.
A much extolled painter, also, is Eliodoro Forbicini, a young man of
most beautiful genius and of considerable skill in every manner of
painting, but particularly in making grotesques, as may be seen in the
two chambers mentioned above and in other places where he has worked.
In like manner Battista da Verona, who is called thus, and not
otherwise, out of his own country, after having learned the first
rudiments of painting from an uncle at Verona, placed himself with the
excellent Tiziano in Venice, under whom he has become a very good
painter. When a young man, this Battista painted in company with
Paolino a hall in the Palace of the Paymaster and Assessor Portesco at
Tiene in the territory of Vicenza; where they executed a vast number
of figures, which acquired credit and repute for both the one and the
other. With the same Paolino he executed many works in fresco in the
Palace of the Soranza at Castelfranco, both having been sent to work
there by Michele San Michele, who loved them as his sons. And with
him, also, he painted the facade of the house of M. Antonio Cappello,
which is on the Grand Canal in Venice; and then, still together, they
painted the ceiling, or rather, soffit in the Hall of the Council of
Ten, dividing the pictures between them. Not long afterwards, having
been summoned to Vicenza, Battista executed many works there, both
within and around the city; and recently he has painted the facade of
the Monte della Pieta, wherein he has executed an infinite number of
nude figures in various attitudes, larger than life, with very good
design, and all in so few months, that it has been a marvel. And if he
has done so much at so early an age (for he is not yet past thirty),
everyone may imagine what may be expected of him in the course of his
life.
Public-domain text, read in full here on John Shaqi.
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