Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il SodomaVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il Sodoma
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
While these preparations were in progress, Baccio was seized with a
desire to finish the statue of the Dead Christ supported by Nicodemus,
which his son Clemente had carried well forward; for he had heard that
Buonarroti was finishing one in Rome that he had begun to carve from a
large block of marble, containing five figures, which was to be placed
on his tomb in S. Maria Maggiore. Out of emulation with him Baccio set
to work on his group with the greatest assiduity, with assistants,
until he had finished it. And meanwhile he was going about among the
principal churches of Florence, seeking for a place where he might set
up that work and also make a tomb for himself; but for long he found
no place for the tomb that could content him, until he resolved on a
chapel in the Church of the Servites which belongs to the family of
the Pazzi. The owners of this chapel, at the request of the Duchess,
granted the place to Baccio, without divesting themselves of the
rights of ownership and of the devices of their house that were there;
and they granted him only this, that he should erect an altar of
marble and place upon it the statues mentioned above, and make his
tomb at the foot of it. Afterwards, also, he came to an agreement with
the friars of that convent with regard to the other matters
appertaining to the celebration of Mass. During this time, then,
Baccio was causing the altar and the marble base to be built, in order
to place upon it the above-named statues; and, when he had finished
it, he proposed to lay in that tomb, in which he wished to be laid
himself together with his wife, the bones of his father Michelagnolo,
which, at his death, he had caused to be placed in a vault in the same
church. These bones of his father he chose to lay piously in that tomb
with his own hands; whereupon it happened that either because he felt
sorrow and a shock to his mind in handling his father's bones, or
because he exerted himself too much in transferring those bones with
his own hands and in rearranging the marbles, or from both reasons
together, he was so overcome that he felt ill and had to go home, and,
his malady growing daily worse, in eight days he died, at the age of
seventy-two, having been up to that time robust and vigorous, and
without having ever suffered much illness during the whole of his
life. He was buried with honourable obsequies, and laid beside his
father's bones in the above-mentioned tomb constructed by himself, on
which is this epitaph:--
D. O. M.
BACCIUS BANDINELL. DIVI JACOBI EQUES
SUB HAC SERVATORIS IMAGINE,
A SE EXPRESSA, CUM JACOBA DONIA
UXORE QUIESCIT, AN. S. MDLIX.
Public-domain text, read in full here on John Shaqi.
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