Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo ZuccheroVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo Zucchero
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Proserpine, commanded that the pains should return to torment the
damned; and in a moment all the lights that have been mentioned were
blown out by a sort of wind, on every side were heard rumblings, voices,
and cries, awesome and horrible, and in the middle of that darkness,
with a little light, was seen the image of Baia the bombardier, who was
one of the guests, as has been related--condemned to Hell by Pluto for
having always chosen as the subjects and inventions of his girandole and
other fireworks the seven mortal sins and the things of Hell. While all
were occupied in gazing on that spectacle and listening to various
sounds of lamentation, the mournful and funereal table was taken away,
and in place of it, lights being kindled, was seen a very rich and regal
feast, with splendid servants who brought the rest of the supper, which
was handsome and magnificent. At the end of the supper came a ship full
of various confections, and the crew of the ship, pretending to remove
their merchandize, little by little brought the men of the Company into
the upper rooms, where, a very rich scenic setting having been already
prepared, there was performed a comedy called the Filogenia, which was
much extolled; and at dawn, the play finished, every man went happily
home.
Two years afterwards, it being the turn of the same man, after many
feasts and comedies, to be master of the Company another time, he, in
order to reprove some of that Company who had spent too much on certain
feasts and banquets (only, as the saying goes, to be themselves eaten
alive), had his banquet arranged in the following manner. At the Aia,
where they were wont to assemble, there were first painted on the wall
without the door some of those figures that are generally painted on the
walls and porticoes of hospitals, such as the director of the hospital,
with gestures full of charity, inviting and receiving beggars and
pilgrims. This picture being uncovered late on the evening of the feast,
there began to arrive the men of the Company, who, after knocking and
being received at the entrance by the director of the hospital, made
their way into a great room arranged in the manner of a hospital, with
the beds at the sides and other suchlike things. In the middle of that
room, round a great fire, were Bientina, Battista dell'Ottonaio,
Barlacchi, Baia, and other merry spirits, dressed after the manner of
beggars, wastrels, and gallows-birds, who, pretending not to be seen by
those who came in from time to time and gathered into a circle, and
conversing of the men of the Company and also of themselves, said the
hardest things in the world about those who had thrown away their all
and spent on suppers and feasts much more than was right. Which
discourse finished, when it was seen that all who were to be there had
arrived, in came S. Andrew, their Patron Saint, who, leading them out of
the hospital, took them into another room, magnificently furnished,
Public-domain text, read in full here on John Shaqi.
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