Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo ZuccheroVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo Zucchero
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
While the Frate was preparing himself to make that tomb, the Turkish
army having entered Puglia and the people of Naples being in no little
alarm on that account, orders were given that the city should be
fortified, and for that purpose there were appointed four men of
importance and of the best judgment. These men, wishing to make use of
competent architects, turned their thoughts to the Frate; but he, having
heard some rumour of this, and not considering that it was right for a
man of religion, such as he was, to occupy himself with affairs of war,
gave the executors to understand that he would do the work either in
Carrara or in Florence, and that at the appointed time it would be
finished and erected in its place. Having then made his way from Naples
to Florence, he straightway received a command from the Signora Donna
Maria, the mother of Duke Cosimo, that he should finish the S. Cosimo
that he had previously begun under the direction of Buonarroti, for the
tomb of the elder Lorenzo de' Medici, the Magnificent. Whereupon he set
his hand to it, and finished it; and that done, since the Duke had
already caused to be constructed a great part of the conduits for the
great fountain of his villa at Castello, and that fountain was to have
at the top, as a crowning ornament, a Hercules in the act of crushing
Antaeus, from whose mouth there was to issue, in place of breath, a jet
of water rising to some height, the Frate was commissioned to make for
this a model of considerable size; which pleasing his Excellency, it was
ordained that he should execute it and should go to Carrara to quarry
the marble.
To Carrara the Frate went very willingly, hoping with that opportunity
to carry forward the above-mentioned tomb of Sannazzaro, and in
particular a scene with figures in half-relief. While Fra Giovanni
Agnolo was there, then, Cardinal Doria wrote from Genoa to Cardinal
Cibo, who happened to be at Carrara, saying that, since Bandinelli had
not finished the statue of Prince Doria, and would now never finish it,
he should contrive to obtain for him some able man, a sculptor, who
might do it, for the reason that he had the charge of pressing on that
work. Which letter having been received by Cibo, who had long had
knowledge of the Frate, he did his utmost to send him to Genoa; but he
steadfastly declared that he could not and would not serve his most
reverend Highness until he had fulfilled the promise and obligation by
which he was bound to Duke Cosimo.
Public-domain text, read in full here on John Shaqi.
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