Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo ZuccheroVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo Zucchero
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
At this time Francesco and Giorgio Vasari, both being still boys, became
fast friends, and in the following manner. In the year 1523, Silvio
Passerini, Cardinal of Cortona, passing through Arezzo as the Legate of
Pope Clement VII, Antonio Vasari, his kinsman, took Giorgio, his eldest
son, to make his reverence to the Cardinal. And the Cardinal, finding
that the boy, who at that time was not more than nine years of age, had
been so well grounded in his first letters by the diligence of M.
Antonio da Saccone and of Messer Giovanni Pollastra, an excellent poet
of Arezzo, that he knew by heart a great part of the _AEneid_ of Virgil,
which he was pleased to hear him recite, and that he had learned to draw
from Guglielmo da Marcilla, the French painter--the Cardinal, I say,
ordained that Antonio should himself take the boy to Florence. There
Giorgio was settled in the house of M. Niccolo Vespucci, Knight of
Rhodes, who lived on the abutment of the Ponte Vecchio, above the Church
of the Sepolcro, and was placed with Michelagnolo Buonarroti; and this
circumstance came to the knowledge of Francesco, who was then living in
the Chiasso di Messer Bivigliano, where his father rented a great house
that faced on the Vacchereccia, employing many workmen. Whereupon, since
like always draws to like, he so contrived that he became the friend of
Giorgio, by means of M. Marco da Lodi, a gentleman of the above-named
Cardinal of Cortona, who showed to Giorgio a portrait, which much
pleased him, by the hand of Francesco, who a short time before had been
placed to learn painting with Giuliano Bugiardini. Meanwhile Vasari, not
neglecting the study of letters, by order of the Cardinal spent two
hours every day with Ippolito and Alessandro de' Medici, under their
master Pierio, an able man. And this friendship, contracted as described
above between Vasari and Francesco, became such that it never ceased
to bind them together, although, by reason of their rivalry and a
certain somewhat haughty manner of speech that Francesco had, some
persons thought otherwise.
Public-domain text, read in full here on John Shaqi.
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